Rank |
Title |
Year |
Director |
Total votes |
% of ballots |
1 |
Vertigo |
1958 |
Alfred Hitchcock |
191 |
22.6% |
2 |
Citizen Kane |
1941 |
Orson Welles |
157 |
18.6% |
3 |
Tokyo Story |
1953 |
Ozu Yasujirô |
107 |
12.6% |
4 |
Règle du jeu, La |
1939 |
Jean Renoir |
100 |
11.8% |
5 |
Sunrise |
1927 |
F. W. Murnau |
93 |
11.0% |
6 |
2001: A Space Odyssey |
1968 |
Stanley Kubrick |
90 |
10.6% |
7 |
Searchers, The |
1956 |
John Ford |
78 |
9.2% |
8 |
Man with a Movie Camera |
1929 |
Dziga Vertov |
68 |
8.0% |
9 |
Passion of Joan of Arc |
1927 |
Carl Theodor Dreyer |
65 |
7.7% |
10 |
8½ |
1963 |
Federico Fellini |
64 |
7.6% |
11 |
Battleship Potemkin |
1925 |
Sergei M Eisenstein |
63 |
7.4% |
12 |
Atalante, L' |
1934 |
Jean Vigo |
58 |
6.9% |
13 |
Breathless |
1960 |
Jean-Luc Godard |
57 |
6.7% |
14 |
Apocalypse Now |
1979 |
Francis Ford Coppola |
53 |
6.3% |
15 |
Late Spring |
1949 |
Ozu Yasujirô |
50 |
5.9% |
16 |
Au Hasard Balthazar |
1966 |
Robert Bresson |
49 |
5.8% |
17 |
Persona |
1966 |
Ingmar Bergman |
48 |
5.7% |
= |
Seven Samurai |
1954 |
Akira Kurosawa |
48 |
5.7% |
19 |
Mirror |
1974 |
Andrei Tarkovsky |
47 |
5.6% |
20 |
Singin' in the Rain |
1951 |
Stanley Donen, Gene Kelly |
46 |
5.4% |
21 |
Avventura, L' |
1960 |
Michelangelo Antonioni |
43 |
5.1% |
= |
Godfather: Part I, The |
1972 |
Francis Ford Coppola |
43 |
5.1% |
= |
mépris, Le |
1963 |
Jean-Luc Godard |
43 |
5.1% |
24 |
In The Mood For Love |
2000 |
Wong Kar Wai |
42 |
5.0% |
= |
Ordet |
1955 |
Carl Theodor Dreyer |
42 |
5.0% |
= |
Rashomon |
1950 |
Akira Kurosawa |
42 |
5.0% |
27 |
Andrei Rublev |
1966 |
Andrei Tarkovsky |
41 |
4.8% |
28 |
Mulholland Dr |
2003 |
David Lynch |
40 |
4.7% |
29 |
Shoah |
1985 |
Claude Lanzmann |
39 |
4.6% |
= |
Stalker |
1979 |
Andrei Tarkovsky |
39 |
4.6% |
31 |
Godfather: Part II, The |
1974 |
Francis Ford Coppola |
38 |
4.5% |
= |
Taxi Driver |
1976 |
Martin Scorsese |
38 |
4.5% |
33 |
Bicycle Thieves, The |
1948 |
Vittorio de Sica |
37 |
4.4% |
34 |
General, The |
1926 |
Buster Keaton |
35 |
4.1% |
= |
Psycho |
1960 |
Alfred Hitchcock |
35 |
4.1% |
36 |
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles |
1975 |
Chantal Akerman |
34 |
4.0% |
= |
Metropolis |
1927 |
Fritz Lang |
34 |
4.0% |
= |
Sátántangó |
1994 |
Béla Tarr |
34 |
4.0% |
39 |
400 Blows, The |
1959 |
François Truffaut |
33 |
3.9% |
= |
dolce vita, La |
1960 |
Federico Fellini |
33 |
3.9% |
41 |
Journey to Italy |
1954 |
Roberto Rossellini |
32 |
3.8% |
= |
Pather Panchali |
1955 |
Satyajit Ray |
32 |
3.8% |
43 |
Close-Up |
1989 |
Abbas Kiarostami |
31 |
3.7% |
= |
Gertrud |
1964 |
Carl Theodor Dreyer |
31 |
3.7% |
= |
Pierrot le Fou |
1965 |
Jean-Luc Godard |
31 |
3.7% |
= |
Playtime |
1967 |
Jacques Tati |
31 |
3.7% |
= |
Some Like It Hot |
1959 |
Billy Wilder |
31 |
3.7% |
48 |
Battle of Algiers, The |
1966 |
Gillo Pontecorvo |
30 |
3.5% |
= |
Histoire(s) du cinéma |
1988-2004 |
Jean-Luc Godard |
30 |
3.5% |
50 |
City Lights |
1931 |
Charles Chaplin |
29 |
3.4% |
= |
Jetée, La |
1962 |
Chris Marker |
29 |
3.4% |
= |
Ugetsu Monogatari |
1953 |
Mizoguchi Kenji |
29 |
3.4% |
53 |
North by Northwest |
1959 |
Alfred Hitchcock |
28 |
3.3% |
= |
Raging Bull |
1980 |
Martin Scorsese |
28 |
3.3% |
= |
Rear Window |
1954 |
Alfred Hitchcock |
28 |
3.3% |
56 |
M |
1931 |
Fritz Lang |
27 |
3.2% |
57 |
Leopard, The |
1963 |
Luchino Visconti |
26 |
3.1% |
= |
Touch of Evil |
1958 |
Orson Welles |
26 |
3.1% |
59 |
Barry Lyndon |
1975 |
Stanley Kubrick |
25 |
3.0% |
= |
Maman et la putain, La |
1973 |
Jean Eustache |
25 |
3.0% |
= |
Sansho Dayu |
1954 |
Mizoguchi Kenji |
25 |
3.0% |
= |
Sherlock Jr |
1924 |
Buster Keaton |
25 |
3.0% |
63 |
Modern Times |
1936 |
Charles Chaplin |
24 |
2.8% |
= |
Night of the Hunter, The |
1955 |
Charles Laughton |
24 |
2.8% |
= |
Pickpocket |
1959 |
Robert Bresson |
24 |
2.8% |
= |
Rio Bravo |
1958 |
Howard Hawks |
24 |
2.8% |
= |
Sunset Blvd. |
1950 |
Billy Wilder |
24 |
2.8% |
= |
Wild Strawberries |
1957 |
Ingmar Bergman |
24 |
2.8% |
69 |
Blade Runner |
1982 |
Ridley Scott |
23 |
2.7% |
= |
Blue Velvet |
1986 |
David Lynch |
23 |
2.7% |
= |
Man Escaped, A |
1956 |
Robert Bresson |
23 |
2.7% |
= |
Sans Soleil |
1982 |
Chris Marker |
23 |
2.7% |
73 |
eclisse, L' |
1962 |
Michelangelo Antonioni |
22 |
2.6% |
= |
enfants du paradis, Les |
1945 |
Marcel Carné |
22 |
2.6% |
= |
grande illusion, La |
1937 |
Jean Renoir |
22 |
2.6% |
= |
Nashville |
1975 |
Robert Altman |
22 |
2.6% |
= |
Third Man, The |
1949 |
Carol Reed |
22 |
2.6% |
78 |
Beau Travail |
1998 |
Claire Denis |
21 |
2.5% |
= |
Chinatown |
1974 |
Roman Polanski |
21 |
2.5% |
= |
Once Upon a Time in the West |
1968 |
Sergio Leone |
21 |
2.5% |
81 |
Lawrence of Arabia |
1962 |
David Lean |
20 |
2.4% |
= |
Magnificent Ambersons, The |
1942 |
Orson Welles |
20 |
2.4% |
= |
Spirit of the Beehive, The |
1973 |
Víctor Erice |
20 |
2.4% |
84 |
Brighter Summer Day, A |
1991 |
Edward Yang |
19 |
2.2% |
= |
Casablanca |
1942 |
Michael Curtiz |
19 |
2.2% |
= |
Colour of Pomegranates, The |
1968 |
Sergei Parajanov |
19 |
2.2% |
= |
Fanny and Alexander |
1984 |
Ingmar Bergman |
19 |
2.2% |
= |
Greed |
1925 |
Erich von Stroheim |
19 |
2.2% |
= |
Wild Bunch, The |
1969 |
Sam Peckinpah |
19 |
2.2% |
90 |
Aguirre, Wrath of God |
1972 |
Werner Herzog |
18 |
2.1% |
= |
Matter of Life and Death, A |
1946 |
Michael Powell, Emeric Pressburger |
18 |
2.1% |
= |
Partie de campagne |
1936 |
Jean Renoir |
18 |
2.1% |
93 |
chien andalou, Un |
1928 |
Luis Buñuel |
17 |
2.0% |
= |
Fear Eats the Soul |
1974 |
Rainer Werner Fassbinder |
17 |
2.0% |
= |
Imitation of Life |
1959 |
Douglas Sirk |
17 |
2.0% |
= |
Intolerance |
1916 |
D.W. Griffith |
17 |
2.0% |
= |
Life and Death of Colonel Blimp, The |
1943 |
Michael Powell, Emeric Pressburger |
17 |
2.0% |
= |
Madame de… |
1953 |
Max Ophüls |
17 |
2.0% |
= |
One and a Two, A |
1999 |
Edward Yang |
17 |
2.0% |
= |
Seventh Seal, The |
1957 |
Ingmar Bergman |
17 |
2.0% |
= |
Touki Bouki |
1973 |
Djibril Diop Mambéty |
17 |
2.0% |
102 |
Conformist, The |
1970 |
Bernardo Bertolucci |
16 |
1.9% |
= |
Ivan the Terrible |
1945 |
Sergei M Eisenstein |
16 |
1.9% |
= |
Last Year At Marienbad |
1961 |
Alain Resnais |
16 |
1.9% |
= |
Meshes of the Afternoon |
1943 |
Maya Deren, Alexander Hammid |
16 |
1.9% |
= |
Travelling Players, The |
1975 |
Theodoros Angelopoulos |
16 |
1.9% |
= |
Tree of Life, The |
2010 |
Terrence Malick |
16 |
1.9% |
= |
Two or Three Things I Know About Her… |
1967 |
Jean-Luc Godard |
16 |
1.9% |
= |
Wavelength |
1967 |
Michael Snow |
16 |
1.9% |
110 |
Age d'Or, L' |
1930 |
Luis Buñuel |
15 |
1.8% |
= |
Bringing Up Baby |
1938 |
Howard Hawks |
15 |
1.8% |
= |
Lady Eve, The |
1941 |
Preston Sturges |
15 |
1.8% |
= |
olvidados, Los |
1950 |
Luis Buñuel |
15 |
1.8% |
= |
Passenger, The |
1974 |
Michelangelo Antonioni |
15 |
1.8% |
= |
Performance |
1970 |
Donald Cammell, Nicolas Roeg |
15 |
1.8% |
= |
Viridiana |
1961 |
Luis Buñuel |
15 |
1.8% |
117 |
Amarcord |
1972 |
Federico Fellini |
14 |
1.7% |
= |
Canterbury Tale, A |
1944 |
Michael Powell, Emeric Pressburger |
14 |
1.7% |
= |
City of Sadness, A |
1989 |
Hsiao-hsien Hou |
14 |
1.7% |
= |
Days of Heaven |
1978 |
Terrence Malick |
14 |
1.7% |
= |
Dr. Strangelove |
1963 |
Stanley Kubrick |
14 |
1.7% |
= |
Man Who Shot Liberty Valance, The |
1962 |
John Ford |
14 |
1.7% |
= |
Mouchette |
1966 |
Robert Bresson |
14 |
1.7% |
= |
Nosferatu |
1922 |
F. W. Murnau |
14 |
1.7% |
= |
Red Shoes, The |
1948 |
Michael Powell, Emeric Pressburger |
14 |
1.7% |
= |
Trouble in Paradise |
1932 |
Ernst Lubitsch |
14 |
1.7% |
127 |
Annie Hall |
1977 |
Woody Allen |
13 |
1.5% |
= |
Apartment, The |
1960 |
Billy Wilder |
13 |
1.5% |
= |
argent, L' |
1983 |
Robert Bresson |
13 |
1.5% |
= |
Celine and Julie Go Boating |
1974 |
Jacques Rivette |
13 |
1.5% |
= |
Do The Right Thing |
1989 |
Spike Lee |
13 |
1.5% |
= |
Don't Look Now |
1973 |
Nicolas Roeg |
13 |
1.5% |
= |
Hiroshima Mon Amour |
1959 |
Alain Resnais |
13 |
1.5% |
= |
Ikiru |
1952 |
Akira Kurosawa |
13 |
1.5% |
= |
Jules et Jim |
1962 |
François Truffaut |
13 |
1.5% |
= |
Last Laugh, The |
1924 |
F. W. Murnau |
13 |
1.5% |
= |
Meet Me In St. Louis |
1944 |
Vincente Minnelli |
13 |
1.5% |
= |
Out 1 |
1990 |
Jacques Rivette |
13 |
1.5% |
= |
Pulp Fiction |
1994 |
Quentin Tarantino |
13 |
1.5% |
= |
River, The |
1951 |
Jean Renoir |
13 |
1.5% |
= |
Spring in a Small Town |
1948 |
Fei Mu |
13 |
1.5% |
= |
Three Colours: Blue |
1993 |
Krzysztof Kieslowski |
13 |
1.5% |
= |
Tropical Malady |
2004 |
Apichatpong Weerasethakul |
13 |
1.5% |
144 |
Blow Up |
1966 |
Michelangelo Antonioni |
12 |
1.4% |
= |
Chungking Express |
1994 |
Wong Kar Wai |
12 |
1.4% |
= |
Diary of a Country Priest |
1951 |
Robert Bresson |
12 |
1.4% |
= |
Great Dictator, The |
1940 |
Charles Chaplin |
12 |
1.4% |
= |
Memories of Underdevelopment |
1968 |
Tomás Gutiérrez Alea |
12 |
1.4% |
= |
Napoleon |
1927 |
Abel Gance |
12 |
1.4% |
= |
To Be or Not To Be |
1942 |
Ernst Lubitsch |
12 |
1.4% |
= |
Vivre Sa Vie |
1962 |
Jean-Luc Godard |
12 |
1.4% |
= |
Wizard of Oz, The |
1939 |
Victor Fleming |
12 |
1.4% |
= |
Woman Under the Influence, A |
1974 |
John Cassavetes |
12 |
1.4% |
154 |
Black Narcissus |
1947 |
Michael Powell, Emeric Pressburger |
11 |
1.3% |
= |
Brief Encounter |
1945 |
David Lean |
11 |
1.3% |
= |
Chimes at Midnight |
1966 |
Orson Welles |
11 |
1.3% |
= |
Come And See |
1985 |
Elem Klimov |
11 |
1.3% |
= |
Cries and Whispers |
1957 |
Ingmar Bergman |
11 |
1.3% |
= |
Distant Voices, Still Lives |
1988 |
Terence Davies |
11 |
1.3% |
= |
Gold Rush, The |
1925 |
Charles Chaplin |
11 |
1.3% |
= |
Hidden |
2004 |
Michael Haneke |
11 |
1.3% |
= |
In a Lonely Place |
1950 |
Nicholas Ray |
11 |
1.3% |
= |
Letter From an Unknown Woman |
1948 |
Max Ophüls |
11 |
1.3% |
= |
Marketa Lazarová |
1967 |
Frantisek Vlácil |
11 |
1.3% |
= |
My Neighbour Totoro |
1988 |
Miyazaki Hayao |
11 |
1.3% |
= |
Once Upon a Time in America |
1983 |
Sergio Leone |
11 |
1.3% |
= |
Only Angels Have Wings |
1939 |
Howard Hawks |
11 |
1.3% |
= |
Shining, The |
1980 |
Stanley Kubrick |
11 |
1.3% |
= |
Solaris |
1972 |
Andrei Tarkovsky |
11 |
1.3% |
= |
Vampyr |
1932 |
Carl Theodor Dreyer |
11 |
1.3% |
171 |
Earth |
1930 |
Aleksandr Dovzhenko |
10 |
1.2% |
= |
Goodfellas |
1990 |
Martin Scorsese |
10 |
1.2% |
= |
His Girl Friday |
1939 |
Howard Hawks |
10 |
1.2% |
= |
Kind Hearts and Coronets |
1949 |
Robert Hamer |
10 |
1.2% |
= |
King Kong |
1933 |
Merian C. Cooper, Ernest B. Schoedsack |
10 |
1.2% |
= |
Notorious |
1946 |
Alfred Hitchcock |
10 |
1.2% |
= |
Star Wars |
1977 |
George Lucas |
10 |
1.2% |
= |
Sweet Smell of Success |
1957 |
Alexander Mackendrick |
10 |
1.2% |
= |
Tabu |
1931 |
F. W. Murnau |
10 |
1.2% |
= |
Trip to the Moon, A |
1902 |
Georges Méliès |
10 |
1.2% |
= |
Umbrellas of Cherbourg, The |
1964 |
Jacques Demy |
10 |
1.2% |
= |
Werckmeister Harmonies, The |
2000 |
Béla Tarr |
10 |
1.2% |
183 |
Breaking the Waves |
1996 |
Lars von Trier |
9 |
1.1% |
= |
Conversation, The |
1974 |
Francis Ford Coppola |
9 |
1.1% |
= |
Day of Wrath |
1943 |
Carl Theodor Dreyer |
9 |
1.1% |
= |
Discreet Charm of the Bourgeoisie, The |
1972 |
Luis Buñuel |
9 |
1.1% |
= |
E.T. |
1982 |
Steven Spielberg |
9 |
1.1% |
= |
Eraserhead |
1976 |
David Lynch |
9 |
1.1% |
= |
Faces |
1968 |
John Cassavetes |
9 |
1.1% |
= |
Grapes of Wrath, The |
1940 |
John Ford |
9 |
1.1% |
= |
I Know Where I'm Going! |
1945 |
Michael Powell, Emeric Pressburger |
9 |
1.1% |
= |
I Was Born, But… |
1932 |
Ozu Yasujirô |
9 |
1.1% |
= |
Listen to Britain |
1942 |
Humphrey Jennings, Stewart McAllister |
9 |
1.1% |
= |
Music Room, The |
1958 |
Satyajit Ray |
9 |
1.1% |
= |
Out of the Past |
1947 |
Jacques Tourneur |
9 |
1.1% |
= |
Paris, Texas |
1984 |
Wim Wenders |
9 |
1.1% |
= |
Rome Open City |
1945 |
Roberto Rossellini |
9 |
1.1% |
= |
Story of the Late Chrysanthemums, The |
1939 |
Mizoguchi Kenji |
9 |
1.1% |
= |
Texas Chainsaw Massacre, The |
1974 |
Tobe Hooper |
9 |
1.1% |
= |
Thin Red Line, The |
1998 |
Terrence Malick |
9 |
1.1% |
= |
Touch of Zen, A |
1969 |
King Hu |
9 |
1.1% |
202 |
Army of Shadows |
1969 |
Jean-Pierre Melville |
8 |
0.9% |
= |
Badlands |
1973 |
Terrence Malick |
8 |
0.9% |
= |
Berlin Alexanderplatz |
1980 |
Rainer Werner Fassbinder |
8 |
0.9% |
= |
Big Sleep, The |
1946 |
Howard Hawks |
8 |
0.9% |
= |
Chelsea Girls |
1966 |
Andy Warhol, Paul Morrissey |
8 |
0.9% |
= |
Cleo from 5 to 7 |
1962 |
Agnès Varda |
8 |
0.9% |
= |
Daisies |
1966 |
Vera Chytilová |
8 |
0.9% |
= |
Death of Mr Lazarescu, The |
2005 |
Cristi Puiu |
8 |
0.9% |
= |
Devil Probably, The |
1977 |
Robert Bresson |
8 |
0.9% |
= |
Duck Soup |
1933 |
Leo McCarey |
8 |
0.9% |
= |
Exterminating Angel, The |
1962 |
Luis Buñuel |
8 |
0.9% |
= |
Floating Clouds |
1955 |
Naruse Mikio |
8 |
0.9% |
= |
Germany Year Zero |
1948 |
Roberto Rossellini |
8 |
0.9% |
= |
Killer of Sheep |
1977 |
Charles Burnett |
8 |
0.9% |
= |
Kings of the Road |
1976 |
Wim Wenders |
8 |
0.9% |
= |
Life of Oharu, The |
1952 |
Mizoguchi Kenji |
8 |
0.9% |
= |
Love Streams |
1984 |
John Cassavetes |
8 |
0.9% |
= |
Manhattan |
1979 |
Woody Allen |
8 |
0.9% |
= |
Paisà |
1946 |
Roberto Rossellini |
8 |
0.9% |
= |
Red Desert |
1964 |
Michelangelo Antonioni |
8 |
0.9% |
= |
Russian Ark |
2002 |
Aleksandr Sokurov |
8 |
0.9% |
= |
Salo, or The 120 Days of Sodom |
1975 |
Pier Paolo Pasolini |
8 |
0.9% |
= |
Shop Around the Corner, The |
1940 |
Ernst Lubitsch |
8 |
0.9% |
= |
Spirited Away |
2001 |
Miyazaki Hayao |
8 |
0.9% |
= |
strada, La |
1954 |
Federico Fellini |
8 |
0.9% |
= |
Tale of Tales, A |
1979 |
Yuri Norstein |
8 |
0.9% |
= |
There Will Be Blood |
2007 |
Paul Thomas Anderson |
8 |
0.9% |
= |
Turin Horse, The |
2011 |
Béla Tarr |
8 |
0.9% |
= |
Uncle Boonmee Who Can Recall His Past Lives |
2010 |
Apichatpong Weerasethakul |
8 |
0.9% |
= |
Videodrome |
1983 |
David Cronenberg |
8 |
0.9% |
= |
WALL-E |
2008 |
Andrew Stanton |
8 |
0.9% |
= |
Wanda |
1970 |
Barbara Loden |
8 |
0.9% |
= |
West of the Tracks |
2002 |
Wang Bing |
8 |
0.9% |
235 |
A nos Amours |
1983 |
Maurice Pialat |
7 |
0.8% |
= |
All About Eve |
1950 |
Joseph L. Mankiewicz |
7 |
0.8% |
= |
All About My Mother |
1999 |
Pedro Almodóvar |
7 |
0.8% |
= |
All That Heaven Allows |
1955 |
Douglas Sirk |
7 |
0.8% |
= |
Autumn Afternoon, An |
1962 |
Ozu Yasujirô |
7 |
0.8% |
= |
Band Wagon, The |
1953 |
Vincente Minnelli |
7 |
0.8% |
= |
Belle de Jour |
1967 |
Luis Buñuel |
7 |
0.8% |
= |
Big Lebowski, The |
1998 |
Joel & Ethan Coen |
7 |
0.8% |
= |
Blissfully Yours |
2002 |
Apichatpong Weerasethakul |
7 |
0.8% |
= |
By the Bluest of Seas |
1935 |
Boris Barnet, S. Mardanin |
7 |
0.8% |
= |
Cabinet of Dr Caligari, The |
1919 |
Robert Wiene |
7 |
0.8% |
= |
Clockwork Orange, A |
1971 |
Stanley Kubrick |
7 |
0.8% |
= |
Cloud-Capped Star, The |
1960 |
Ritwik Ghatak |
7 |
0.8% |
= |
Colossal Youth |
2006 |
Pedro Costa |
7 |
0.8% |
= |
Death in Venice |
1971 |
Luchino Visconti |
7 |
0.8% |
= |
demoiselles de Rochefort, Les |
1967 |
Jacques Demy |
7 |
0.8% |
= |
Double Life of Veronique, The |
1991 |
Krzysztof Kieslowski |
7 |
0.8% |
= |
F for Fake |
1975 |
Orson Welles |
7 |
0.8% |
= |
Flowers of Shanghai |
1998 |
Hsiao-hsien Hou |
7 |
0.8% |
= |
Gone with the Wind |
1939 |
Victor Fleming |
7 |
0.8% |
= |
Gospel According to St Matthew, The |
1964 |
Pier Paolo Pasolini |
7 |
0.8% |
= |
House is Black, The |
1962 |
Forough Farrokhzad |
7 |
0.8% |
= |
How Green Was My Valley |
1941 |
John Ford |
7 |
0.8% |
= |
Husbands |
1970 |
John Cassavetes |
7 |
0.8% |
= |
Kes |
1969 |
Ken Loach |
7 |
0.8% |
= |
Melancholia |
2011 |
Lars von Trier |
7 |
0.8% |
= |
Moment of Innocence, A |
1995 |
Mohsen Makhmalbaf |
7 |
0.8% |
= |
My Darling Clementine |
1946 |
John Ford |
7 |
0.8% |
= |
Pandora's Box |
1928 |
G W Pabst |
7 |
0.8% |
= |
Piano, The |
1992 |
Jane Campion |
7 |
0.8% |
= |
Puppetmaster, The |
1993 |
Hsiao-hsien Hou |
7 |
0.8% |
= |
Red River |
1947 |
Howard Hawks, Arthur Rosson |
7 |
0.8% |
= |
Rocco and his Brothers |
1960 |
Luchino Visconti |
7 |
0.8% |
= |
Samouraï, Le |
1967 |
Jean-Pierre Melville |
7 |
0.8% |
= |
Shadows |
1959 |
John Cassavetes |
7 |
0.8% |
= |
Sicilia! |
1998 |
Jean-Marie Straub, Danièle Huillet |
7 |
0.8% |
= |
Stromboli |
1950 |
Roberto Rossellini |
7 |
0.8% |
= |
Sullivan's Travels |
1941 |
Preston Sturges |
7 |
0.8% |
= |
Testament of Dr Mabuse, The |
1933 |
Fritz Lang |
7 |
0.8% |
= |
Thin Blue Line, The |
1989 |
Errol Morris |
7 |
0.8% |
= |
Three Colours: Red |
1994 |
Krzysztof Kieslowski |
7 |
0.8% |
= |
Throne of Blood |
1957 |
Akira Kurosawa |
7 |
0.8% |
= |
Two-Lane Blacktop |
1971 |
Monte Hellman |
7 |
0.8% |
= |
Umberto D |
1952 |
Vittorio de Sica |
7 |
0.8% |
= |
Where is My Friend's House? |
1989 |
Abbas Kiarostami |
7 |
0.8% |
= |
White Ribbon, The |
2009 |
Michael Haneke |
7 |
0.8% |
= |
Wind Will Carry Us, The |
1999 |
Abbas Kiarostami |
7 |
0.8% |
= |
World of Apu, The |
1958 |
Satyajit Ray |
7 |
0.8% |
283 |
Alien |
1979 |
Ridley Scott |
6 |
0.7% |
= |
Ashes and Diamonds |
1958 |
Andrzej Wajda |
6 |
0.7% |
= |
Best Years of Our Lives, The |
1946 |
William Wyler |
6 |
0.7% |
= |
Birds, The |
1963 |
Alfred Hitchcock |
6 |
0.7% |
= |
Black God, White Devil |
1964 |
Glauber Rocha |
6 |
0.7% |
= |
Charulata |
1964 |
Satyajit Ray |
6 |
0.7% |
= |
Crowd, The |
1928 |
King Vidor |
6 |
0.7% |
= |
Days of Being Wild |
1990 |
Wong Kar Wai |
6 |
0.7% |
= |
Dekalog |
1988 |
Krzysztof Kieslowski |
6 |
0.7% |
= |
Dogville |
2003 |
Lars von Trier |
6 |
0.7% |
= |
Double Indemnity |
1944 |
Billy Wilder |
6 |
0.7% |
= |
French Cancan |
1955 |
Jean Renoir |
6 |
0.7% |
= |
Good, the Bad and the Ugly, The |
1966 |
Sergio Leone |
6 |
0.7% |
= |
Green Ray, The |
1986 |
Eric Rohmer |
6 |
0.7% |
= |
Groundhog Day |
1993 |
Harold Ramis |
6 |
0.7% |
= |
I am Cuba |
1964 |
Mikhail Kalatozov |
6 |
0.7% |
= |
In a Year of 13 Moons |
1978 |
Rainer Werner Fassbinder |
6 |
0.7% |
= |
India Song |
1975 |
Marguerite Duras |
6 |
0.7% |
= |
Inland Empire |
2006 |
David Lynch |
6 |
0.7% |
= |
It's a Wonderful Life |
1947 |
Frank Capra |
6 |
0.7% |
= |
Ivan's Childhood |
1962 |
Andrei Tarkovsky |
6 |
0.7% |
= |
Johnny Guitar |
1954 |
Nicholas Ray |
6 |
0.7% |
= |
Lady from Shanghai, The |
1947 |
Orson Welles |
6 |
0.7% |
= |
Marnie |
1964 |
Alfred Hitchcock |
6 |
0.7% |
= |
My Night with Maud |
1969 |
Eric Rohmer |
6 |
0.7% |
= |
Night and Fog |
1955 |
Alain Resnais |
6 |
0.7% |
= |
Nostalghia |
1983 |
Andrei Tarkovsky |
6 |
0.7% |
= |
Nouvelle Vague |
1990 |
Jean-Luc Godard |
6 |
0.7% |
= |
October |
1928 |
Sergei M Eisenstein |
6 |
0.7% |
= |
Pyaasa |
1957 |
Guru Dutt |
6 |
0.7% |
= |
Quince Tree Sun, The |
1992 |
Víctor Erice |
6 |
0.7% |
= |
Rise to Power of Louis XIV, The |
1966 |
Roberto Rossellini |
6 |
0.7% |
= |
Rosemary's Baby |
1968 |
Roman Polanski |
6 |
0.7% |
= |
Shadows of Our Forgotten Ancestors |
1964 |
Sergei Parajanov |
6 |
0.7% |
= |
Taste of Cherry, The |
1997 |
Abbas Kiarostami |
6 |
0.7% |
= |
Through the Olive Trees |
1994 |
Abbas Kiarostami |
6 |
0.7% |
= |
Wagon Master |
1950 |
John Ford |
6 |
0.7% |
= |
Wings of Desire |
1987 |
Wim Wenders |
6 |
0.7% |
= |
Xala |
1974 |
Ousmane Sembene |
6 |
0.7% |
= |
Yeelen |
1987 |
Souleymane Cisse |
6 |
0.7% |
323 |
Affair to Remember, An |
1957 |
Leo McCarey |
5 |
0.6% |
= |
Aguaespejo granadino |
1955 |
José Val del Omar |
5 |
0.6% |
= |
Birth of a Nation, The |
1915 |
D.W. Griffith |
5 |
0.6% |
= |
Black Girl |
1965 |
Ousmane Sembene |
5 |
0.6% |
= |
Broken Blossoms |
1919 |
D.W. Griffith |
5 |
0.6% |
= |
Casino |
1995 |
Martin Scorsese |
5 |
0.6% |
= |
Closely Observed Trains |
1966 |
Jirí Menzel |
5 |
0.6% |
= |
Crime of Monsieur Lange, The |
1935 |
Jean Renoir |
5 |
0.6% |
= |
Dawn of the Dead |
1978 |
George A Romero |
5 |
0.6% |
= |
Dead Ringers |
1988 |
David Cronenberg |
5 |
0.6% |
= |
Devils, The |
1971 |
Ken Russell |
5 |
0.6% |
= |
Don't Look Back |
1967 |
D.A. Pennebaker |
5 |
0.6% |
= |
Dr Mabuse, The Gambler |
1922 |
Fritz Lang |
5 |
0.6% |
= |
Edvard Munch |
1976 |
Peter Watkins |
5 |
0.6% |
= |
Eyes Without a Face |
1960 |
Georges Franju |
5 |
0.6% |
= |
From the Clouds to the Resistance |
1979 |
Jean-Marie Straub, Danièle Huillet |
5 |
0.6% |
= |
Happy Together |
1997 |
Wong Kar Wai |
5 |
0.6% |
= |
Hatari! |
1961 |
Howard Hawks |
5 |
0.6% |
= |
High and Low |
1963 |
Akira Kurosawa |
5 |
0.6% |
= |
If…. |
1968 |
Lindsay Anderson |
5 |
0.6% |
= |
In Vanda's Room |
2000 |
Pedro Costa |
5 |
0.6% |
= |
Jaws |
1975 |
Steven Spielberg |
5 |
0.6% |
= |
Kid, The |
1921 |
Charles Chaplin |
5 |
0.6% |
= |
King of Comedy, The |
1983 |
Martin Scorsese |
5 |
0.6% |
= |
Land Without Bread |
1933 |
Luis Buñuel |
5 |
0.6% |
= |
Lola |
1961 |
Jacques Demy |
5 |
0.6% |
= |
Lola Montès |
1955 |
Max Ophüls |
5 |
0.6% |
= |
Lost Highway |
1996 |
David Lynch |
5 |
0.6% |
= |
Lusty Men, The |
1952 |
Nicholas Ray |
5 |
0.6% |
= |
Magnolia |
1999 |
Paul Thomas Anderson |
5 |
0.6% |
= |
Make Way for Tomorrow |
1937 |
Leo McCarey |
5 |
0.6% |
= |
Matrix, The |
1999 |
Andy Wachowski, Lana Wachowski |
5 |
0.6% |
= |
McCabe and Mrs Miller |
1971 |
Robert Altman |
5 |
0.6% |
= |
Monsieur Verdoux |
1947 |
Charles Chaplin |
5 |
0.6% |
= |
Mother and Son |
1997 |
Aleksandr Sokurov |
5 |
0.6% |
= |
Numéro deux |
1975 |
Jean-Luc Godard, Anne-Marie Miéville |
5 |
0.6% |
= |
Plaisir, Le |
1951 |
Max Ophüls |
5 |
0.6% |
= |
Platform |
2000 |
Jia Zhang Ke |
5 |
0.6% |
= |
Purple Rose of Cairo, The |
1985 |
Woody Allen |
5 |
0.6% |
= |
Quiet Man, The |
1952 |
John Ford |
5 |
0.6% |
= |
Région Centrale, La |
1971 |
Michael Snow |
5 |
0.6% |
= |
Safe |
1994 |
Todd Haynes |
5 |
0.6% |
= |
Salvatore Giuliano |
1962 |
Francesco Rosi |
5 |
0.6% |
= |
Scenes from a Marriage |
1995 |
Ingmar Bergman |
5 |
0.6% |
= |
Scorpio Rising |
1964 |
Kenneth Anger |
5 |
0.6% |
= |
Seasons of the Year, The |
1975 |
Artavazd Pelechian |
5 |
0.6% |
= |
Silent Light |
2007 |
Carlos Reygadas |
5 |
0.6% |
= |
Sorrow and the Pity, The |
1969 |
Marcel Ophüls |
5 |
0.6% |
= |
Stagecoach |
1939 |
John Ford |
5 |
0.6% |
= |
The Tiger of Eschnapur/The Indian Tomb |
1958 |
Fritz Lang |
5 |
0.6% |
= |
Tristana |
1970 |
Luis Buñuel |
5 |
0.6% |
= |
Winter Light |
1972 |
Ingmar Bergman |
5 |
0.6% |
= |
Young Mr Lincoln |
1939 |
John Ford |
5 |
0.6% |
= |
Zero de Conduite |
1933 |
Jean Vigo |
5 |
0.6% |
377 |
Anatomy of a Murder |
1959 |
Otto Preminger |
4 |
0.5% |
= |
Angel at My Table, An |
1992 |
Jane Campion |
4 |
0.5% |
= |
Arnulf Rainer |
1960 |
Peter Kubelka |
4 |
0.5% |
= |
Awful Truth, The |
1937 |
Leo McCarey |
4 |
0.5% |
= |
Barton Fink |
1991 |
Joel & Ethan Coen |
4 |
0.5% |
= |
Belle et la Bete, La |
1946 |
Jean Cocteau |
4 |
0.5% |
= |
Chronicle of Anna Magdalena Bach |
1968 |
Jean-Marie Straub, Danièle Huillet |
4 |
0.5% |
= |
Crimes and Misdemeanors |
1989 |
Woody Allen |
4 |
0.5% |
= |
Deer Hunter, The |
1977 |
Michael Cimino |
4 |
0.5% |
= |
Early Summer |
1951 |
Ozu Yasujirô |
4 |
0.5% |
= |
El |
1953 |
Luis Buñuel |
4 |
0.5% |
= |
Emperor's Naked Army Marches On, The |
1987 |
Kazuo Hara |
4 |
0.5% |
= |
Enfant Secret, L' |
1983 |
Philippe Garrel |
4 |
0.5% |
= |
Entranced Earth |
1967 |
Glauber Rocha |
4 |
0.5% |
= |
Equinox Flower |
1958 |
Ozu Yasujirô |
4 |
0.5% |
= |
Eternal Sunshine of the Spotless Mind |
2004 |
Michel Gondry |
4 |
0.5% |
= |
Europa 51 |
1952 |
Roberto Rossellini |
4 |
0.5% |
= |
Eyes Wide Shut |
1999 |
Stanley Kubrick |
4 |
0.5% |
= |
Faster, Pussycat! Kill! Kill! |
1966 |
Russ Meyer |
4 |
0.5% |
= |
Gimme Shelter |
1970 |
Albert Maysles, David Maysles, Charlotte Zwerin |
4 |
0.5% |
= |
Gleaners & I, The |
2000 |
Agnès Varda |
4 |
0.5% |
= |
Grido, Il |
1957 |
Michelangelo Antonioni |
4 |
0.5% |
= |
Harakiri |
1962 |
Kobayashi Masaki |
4 |
0.5% |
= |
Headless Woman, The |
2008 |
Lucrecia Martel |
4 |
0.5% |
= |
Host, The |
2006 |
Bong Joon-ho |
4 |
0.5% |
= |
Idiots, The |
1998 |
Lars von Trier |
4 |
0.5% |
= |
In the Realm of the Senses |
1976 |
Nagisa Oshima |
4 |
0.5% |
= |
India: Matri Bhumi |
1959 |
Roberto Rossellini |
4 |
0.5% |
= |
Intruder, The |
2004 |
Claire Denis |
4 |
0.5% |
= |
Killing of a Chinese Bookie, The |
1976 |
John Cassavetes |
4 |
0.5% |
= |
Landscape in the Mist |
1988 |
Theodoros Angelopoulos |
4 |
0.5% |
= |
Last Bolshevik, The |
1993 |
Chris Marker |
4 |
0.5% |
= |
Late Chrysanthemums |
1954 |
Naruse Mikio |
4 |
0.5% |
= |
Long Goodbye, The |
1973 |
Robert Altman |
4 |
0.5% |
= |
Love Me Tonight |
1932 |
Rouben Mamoulian |
4 |
0.5% |
= |
Masculin Féminin |
1966 |
Jean-Luc Godard |
4 |
0.5% |
= |
Minamata: The Victims and their World |
1972 |
Tsuchimoto Noriaki |
4 |
0.5% |
= |
Muriel |
1963 |
Alain Resnais |
4 |
0.5% |
= |
Naked |
1993 |
Mike Leigh |
4 |
0.5% |
= |
Nanook of the North |
1922 |
Robert J. Flaherty |
4 |
0.5% |
= |
Nights of Cabiria |
1957 |
Federico Fellini |
4 |
0.5% |
= |
notte, La |
1961 |
Michelangelo Antonioni |
4 |
0.5% |
= |
One Flew Over the Cuckoo's Nest |
1975 |
Milos Forman |
4 |
0.5% |
= |
Opening Night |
1977 |
John Cassavetes |
4 |
0.5% |
= |
Orphée |
1950 |
Jean Cocteau |
4 |
0.5% |
= |
Outer Space |
2002 |
Peter Tscherkassky |
4 |
0.5% |
= |
Party, The |
1968 |
Blake Edwards |
4 |
0.5% |
= |
Paths of Glory |
1957 |
Stanley Kubrick |
4 |
0.5% |
= |
Portrait of Jason |
1967 |
Shirley Clarke |
4 |
0.5% |
= |
Princess Mononoke |
1997 |
Miyazaki Hayao |
4 |
0.5% |
= |
Ran |
1985 |
Akira Kurosawa |
4 |
0.5% |
= |
Separation, A |
2011 |
Asghar Farhadi |
4 |
0.5% |
= |
Shoot the Pianist |
1960 |
François Truffaut |
4 |
0.5% |
= |
Short Cuts |
1993 |
Robert Altman |
4 |
0.5% |
= |
Some Came Running |
1958 |
Vincente Minnelli |
4 |
0.5% |
= |
Spione |
1928 |
Fritz Lang |
4 |
0.5% |
= |
Splendor in the Grass |
1961 |
Elia Kazan |
4 |
0.5% |
= |
Synecdoche, New York |
2008 |
Charlie Kaufman |
4 |
0.5% |
= |
Talk to Her |
2002 |
Pedro Almodóvar |
4 |
0.5% |
= |
Thing, The |
1982 |
John Carpenter |
4 |
0.5% |
= |
To Have and Have Not |
1945 |
Howard Hawks |
4 |
0.5% |
= |
Toy Story |
1995 |
John Lasseter |
4 |
0.5% |
= |
Treasure of Sierra Madre, The |
1947 |
John Huston |
4 |
0.5% |
= |
True Heart Susie |
1919 |
D.W. Griffith |
4 |
0.5% |
= |
Vampires, Les |
1915 |
Louis Feuillade |
4 |
0.5% |
= |
Waiting for Happiness |
2002 |
Abderrahmane Sissako |
4 |
0.5% |
= |
Walkabout |
1970 |
Nicolas Roeg |
4 |
0.5% |
= |
Wedding March, The |
1928 |
Erich von Stroheim |
4 |
0.5% |
= |
Week End |
1967 |
Jean-Luc Godard |
4 |
0.5% |
= |
Wind, The |
1928 |
Victor Sjöström |
4 |
0.5% |