| Rank | Title | Year | Director | Total votes | % of ballots |
| 1 | Vertigo | 1958 | Alfred Hitchcock | 123 | 21.1% |
| 2 | Citizen Kane | 1941 | Orson Welles | 98 | 16.8% |
| 3 | Tokyo Story | 1953 | Ozu Yasujirô | 68 | 11.6% |
| 4 | Règle du jeu, La | 1939 | Jean Renoir | 64 | 11.0% |
| = | Sunrise | 1927 | F. W. Murnau | 64 | 11.0% |
| 6 | 2001: A Space Odyssey | 1968 | Stanley Kubrick | 61 | 10.4% |
| 7 | Passion of Joan of Arc | 1927 | Carl Theodor Dreyer | 46 | 7.9% |
| 8 | Man with a Movie Camera | 1929 | Dziga Vertov | 44 | 7.5% |
| 9 | Atalante, L' | 1934 | Jean Vigo | 41 | 7.0% |
| 10 | Searchers, The | 1956 | John Ford | 37 | 6.3% |
| 11 | Apocalypse Now | 1979 | Francis Ford Coppola | 35 | 6.0% |
| 12 | Singin' in the Rain | 1951 | Stanley Donen, Gene Kelly | 34 | 5.8% |
| = | Taxi Driver | 1976 | Martin Scorsese | 34 | 5.8% |
| 14 | 8½ | 1963 | Federico Fellini | 32 | 5.5% |
| = | Au Hasard Balthazar | 1966 | Robert Bresson | 32 | 5.5% |
| = | Battle of Algiers, The | 1966 | Gillo Pontecorvo | 32 | 5.5% |
| = | Godfather: Part II, The | 1974 | Francis Ford Coppola | 32 | 5.5% |
| = | Mirror | 1974 | Andrei Tarkovsky | 32 | 5.5% |
| = | Seven Samurai | 1954 | Akira Kurosawa | 32 | 5.5% |
| 20 | Bicycle Thieves, The | 1948 | Vittorio de Sica | 31 | 5.3% |
| = | Breathless | 1960 | Jean-Luc Godard | 31 | 5.3% |
| = | Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles | 1975 | Chantal Akerman | 31 | 5.3% |
| 23 | Raging Bull | 1980 | Martin Scorsese | 30 | 5.1% |
| = | Barry Lyndon | 1975 | Stanley Kubrick | 29 | 5.0% |
| = | General, The | 1926 | Buster Keaton | 29 | 5.0% |
| = | Persona | 1966 | Ingmar Bergman | 29 | 5.0% |
| = | Stalker | 1979 | Andrei Tarkovsky | 29 | 5.0% |
| 28 | Godfather: Part I, The | 1972 | Francis Ford Coppola | 28 | 4.8% |
| = | Psycho | 1960 | Alfred Hitchcock | 28 | 4.8% |
| = | Shoah | 1985 | Claude Lanzmann | 28 | 4.8% |
| 31 | Battleship Potemkin | 1925 | Sergei M Eisenstein | 27 | 4.6% |
| 32 | Jetée, La | 1962 | Chris Marker | 26 | 4.5% |
| = | Mulholland Dr | 2003 | David Lynch | 26 | 4.5% |
| 34 | In The Mood For Love | 2000 | Wong Kar Wai | 25 | 4.3% |
| = | Some Like It Hot | 1959 | Billy Wilder | 25 | 4.3% |
| 36 | 400 Blows, The | 1959 | François Truffaut | 24 | 4.1% |
| = | Avventura, L' | 1960 | Michelangelo Antonioni | 24 | 4.1% |
| = | Late Spring | 1949 | Ozu Yasujirô | 24 | 4.1% |
| = | Pather Panchali | 1955 | Satyajit Ray | 24 | 4.1% |
| 40 | Blue Velvet | 1986 | David Lynch | 23 | 3.9% |
| = | dolce vita, La | 1960 | Federico Fellini | 23 | 3.9% |
| = | Lawrence of Arabia | 1962 | David Lean | 23 | 3.9% |
| = | Touch of Evil | 1958 | Orson Welles | 23 | 3.9% |
| 44 | mépris, Le | 1963 | Jean-Luc Godard | 22 | 3.8% |
| 45 | Man Escaped, A | 1956 | Robert Bresson | 21 | 3.6% |
| = | Ordet | 1955 | Carl Theodor Dreyer | 21 | 3.6% |
| 47 | Andrei Rublev | 1966 | Andrei Tarkovsky | 20 | 3.4% |
| = | Chinatown | 1974 | Roman Polanski | 20 | 3.4% |
| = | Close-Up | 1989 | Abbas Kiarostami | 20 | 3.4% |
| = | Nashville | 1975 | Robert Altman | 20 | 3.4% |
| = | Third Man, The | 1949 | Carol Reed | 20 | 3.4% |
| 52 | Beau Travail | 1998 | Claire Denis | 19 | 3.3% |
| = | Life and Death of Colonel Blimp, The | 1943 | Michael Powell, Emeric Pressburger | 19 | 3.3% |
| = | Playtime | 1967 | Jacques Tati | 19 | 3.3% |
| = | Sansho Dayu | 1954 | Mizoguchi Kenji | 19 | 3.3% |
| 56 | Conformist, The | 1970 | Bernardo Bertolucci | 18 | 3.1% |
| = | Fanny and Alexander | 1984 | Ingmar Bergman | 18 | 3.1% |
| = | grande illusion, La | 1937 | Jean Renoir | 18 | 3.1% |
| = | Magnificent Ambersons, The | 1942 | Orson Welles | 18 | 3.1% |
| = | Wild Bunch, The | 1969 | Sam Peckinpah | 18 | 3.1% |
| 61 | Leopard, The | 1963 | Luchino Visconti | 17 | 2.9% |
| = | Matter of Life and Death, A | 1946 | Michael Powell, Emeric Pressburger | 17 | 2.9% |
| = | Night of the Hunter, The | 1955 | Charles Laughton | 17 | 2.9% |
| = | Once Upon a Time in the West | 1968 | Sergio Leone | 17 | 2.9% |
| = | Performance | 1970 | Donald Cammell, Nicolas Roeg | 17 | 2.9% |
| = | Rear Window | 1954 | Alfred Hitchcock | 17 | 2.9% |
| = | Sans Soleil | 1982 | Chris Marker | 17 | 2.9% |
| = | Ugetsu Monogatari | 1953 | Mizoguchi Kenji | 17 | 2.9% |
| 69 | Don't Look Now | 1973 | Nicolas Roeg | 16 | 2.7% |
| = | eclisse, L' | 1962 | Michelangelo Antonioni | 16 | 2.7% |
| = | Fear Eats the Soul | 1974 | Rainer Werner Fassbinder | 16 | 2.7% |
| = | Rashomon | 1950 | Akira Kurosawa | 16 | 2.7% |
| = | Rio Bravo | 1958 | Howard Hawks | 16 | 2.7% |
| = | Seventh Seal, The | 1957 | Ingmar Bergman | 16 | 2.7% |
| = | Sunset Blvd. | 1950 | Billy Wilder | 16 | 2.7% |
| 76 | Blade Runner | 1982 | Ridley Scott | 15 | 2.6% |
| = | Do The Right Thing | 1989 | Spike Lee | 15 | 2.6% |
| = | Journey to Italy | 1954 | Roberto Rossellini | 15 | 2.6% |
| = | Lady Eve, The | 1941 | Preston Sturges | 15 | 2.6% |
| = | Pickpocket | 1959 | Robert Bresson | 15 | 2.6% |
| 81 | Canterbury Tale, A | 1944 | Michael Powell, Emeric Pressburger | 14 | 2.4% |
| = | Celine and Julie Go Boating | 1974 | Jacques Rivette | 14 | 2.4% |
| = | Dr. Strangelove | 1963 | Stanley Kubrick | 14 | 2.4% |
| = | enfants du paradis, Les | 1945 | Marcel Carné | 14 | 2.4% |
| = | Gertrud | 1964 | Carl Theodor Dreyer | 14 | 2.4% |
| = | Sátántangó | 1994 | Béla Tarr | 14 | 2.4% |
| = | Sherlock Jr | 1924 | Buster Keaton | 14 | 2.4% |
| = | Spirit of the Beehive, The | 1973 | Víctor Erice | 14 | 2.4% |
| 89 | Aguirre, Wrath of God | 1972 | Werner Herzog | 13 | 2.2% |
| = | Casablanca | 1942 | Michael Curtiz | 13 | 2.2% |
| = | Days of Heaven | 1978 | Terrence Malick | 13 | 2.2% |
| = | Goodfellas | 1990 | Martin Scorsese | 13 | 2.2% |
| = | Ikiru | 1952 | Akira Kurosawa | 13 | 2.2% |
| = | Kes | 1969 | Ken Loach | 13 | 2.2% |
| = | M | 1931 | Fritz Lang | 13 | 2.2% |
| = | Madame de… | 1953 | Max Ophüls | 13 | 2.2% |
| = | Meet Me In St. Louis | 1944 | Vincente Minnelli | 13 | 2.2% |
| = | Shining, The | 1980 | Stanley Kubrick | 13 | 2.2% |
| = | Two or Three Things I Know About Her… | 1967 | Jean-Luc Godard | 13 | 2.2% |
| = | Woman Under the Influence, A | 1974 | John Cassavetes | 13 | 2.2% |
| 101 | Apartment, The | 1960 | Billy Wilder | 12 | 2.1% |
| = | Come And See | 1985 | Elem Klimov | 12 | 2.1% |
| = | Kind Hearts and Coronets | 1949 | Robert Hamer | 12 | 2.1% |
| = | North by Northwest | 1959 | Alfred Hitchcock | 12 | 2.1% |
| = | Pierrot le Fou | 1965 | Jean-Luc Godard | 12 | 2.1% |
| = | Red Shoes, The | 1948 | Michael Powell, Emeric Pressburger | 12 | 2.1% |
| = | Sweet Smell of Success | 1957 | Alexander Mackendrick | 12 | 2.1% |
| = | Touki Bouki | 1973 | Djibril Diop Mambéty | 12 | 2.1% |
| = | Wavelength | 1967 | Michael Snow | 12 | 2.1% |
| 110 | Age d'Or, L' | 1930 | Luis Buñuel | 11 | 1.9% |
| = | Badlands | 1973 | Terrence Malick | 11 | 1.9% |
| = | Histoire(s) du cinéma | 1988-2004 | Jean-Luc Godard | 11 | 1.9% |
| = | Meshes of the Afternoon | 1943 | Maya Deren, Alexander Hammid | 11 | 1.9% |
| = | Metropolis | 1927 | Fritz Lang | 11 | 1.9% |
| = | Werckmeister Harmonies, The | 2000 | Béla Tarr | 11 | 1.9% |
| 116 | Annie Hall | 1977 | Woody Allen | 10 | 1.7% |
| = | Day of Wrath | 1943 | Carl Theodor Dreyer | 10 | 1.7% |
| = | Gospel According to St Matthew, The | 1964 | Pier Paolo Pasolini | 10 | 1.7% |
| = | Hidden | 2004 | Michael Haneke | 10 | 1.7% |
| = | His Girl Friday | 1939 | Howard Hawks | 10 | 1.7% |
| = | It's a Wonderful Life | 1947 | Frank Capra | 10 | 1.7% |
| = | Jaws | 1975 | Steven Spielberg | 10 | 1.7% |
| = | Last Year At Marienbad | 1961 | Alain Resnais | 10 | 1.7% |
| = | Napoleon | 1927 | Abel Gance | 10 | 1.7% |
| = | Out 1 | 1990 | Jacques Rivette | 10 | 1.7% |
| 126 | argent, L' | 1983 | Robert Bresson | 9 | 1.5% |
| = | Army of Shadows | 1969 | Jean-Pierre Melville | 9 | 1.5% |
| = | Black Narcissus | 1947 | Michael Powell, Emeric Pressburger | 9 | 1.5% |
| = | Brief Encounter | 1945 | David Lean | 9 | 1.5% |
| = | Brighter Summer Day, A | 1991 | Edward Yang | 9 | 1.5% |
| = | Bringing Up Baby | 1938 | Howard Hawks | 9 | 1.5% |
| = | Chimes at Midnight | 1966 | Orson Welles | 9 | 1.5% |
| = | Chungking Express | 1994 | Wong Kar Wai | 9 | 1.5% |
| = | City Lights | 1931 | Charles Chaplin | 9 | 1.5% |
| = | Colour of Pomegranates, The | 1968 | Sergei Parajanov | 9 | 1.5% |
| = | Earth | 1930 | Aleksandr Dovzhenko | 9 | 1.5% |
| = | I Know Where I'm Going! | 1945 | Michael Powell, Emeric Pressburger | 9 | 1.5% |
| = | Intolerance | 1916 | D.W. Griffith | 9 | 1.5% |
| = | Letter From an Unknown Woman | 1948 | Max Ophüls | 9 | 1.5% |
| = | Listen to Britain | 1942 | Humphrey Jennings, Stewart McAllister | 9 | 1.5% |
| = | Maman et la putain, La | 1973 | Jean Eustache | 9 | 1.5% |
| = | Manhattan | 1979 | Woody Allen | 9 | 1.5% |
| = | Out of the Past | 1947 | Jacques Tourneur | 9 | 1.5% |
| = | Thin Blue Line, The | 1989 | Errol Morris | 9 | 1.5% |
| = | Umbrellas of Cherbourg, The | 1964 | Jacques Demy | 9 | 1.5% |
| = | Viridiana | 1961 | Luis Buñuel | 9 | 1.5% |
| 147 | Chelsea Girls | 1966 | Andy Warhol, Paul Morrissey | 8 | 1.4% |
| = | chien andalou, Un | 1928 | Luis Buñuel | 8 | 1.4% |
| = | Groundhog Day | 1993 | Harold Ramis | 8 | 1.4% |
| = | In a Lonely Place | 1950 | Nicholas Ray | 8 | 1.4% |
| = | Killer of Sheep | 1977 | Charles Burnett | 8 | 1.4% |
| = | Notorious | 1946 | Alfred Hitchcock | 8 | 1.4% |
| = | olvidados, Los | 1950 | Luis Buñuel | 8 | 1.4% |
| = | Pandora's Box | 1928 | G W Pabst | 8 | 1.4% |
| = | Russian Ark | 2002 | Aleksandr Sokurov | 8 | 1.4% |
| = | Shop Around the Corner, The | 1940 | Ernst Lubitsch | 8 | 1.4% |
| = | Star Wars | 1977 | George Lucas | 8 | 1.4% |
| = | Tale of Tales, A | 1979 | Yuri Norstein | 8 | 1.4% |
| = | There Will Be Blood | 2007 | Paul Thomas Anderson | 8 | 1.4% |
| = | Tree of Life, The | 2010 | Terrence Malick | 8 | 1.4% |
| = | Trouble in Paradise | 1932 | Ernst Lubitsch | 8 | 1.4% |
| = | Wanda | 1970 | Barbara Loden | 8 | 1.4% |
| = | Wild Strawberries | 1957 | Ingmar Bergman | 8 | 1.4% |
| = | Zero de Conduite | 1933 | Jean Vigo | 8 | 1.4% |
| 165 | Big Lebowski, The | 1998 | Joel & Ethan Coen | 7 | 1.2% |
| = | City of Sadness, A | 1989 | Hsiao-hsien Hou | 7 | 1.2% |
| = | Cleo from 5 to 7 | 1962 | Agnès Varda | 7 | 1.2% |
| = | Crime of Monsieur Lange, The | 1935 | Jean Renoir | 7 | 1.2% |
| = | Devil Probably, The | 1977 | Robert Bresson | 7 | 1.2% |
| = | Diary of a Country Priest | 1951 | Robert Bresson | 7 | 1.2% |
| = | Discreet Charm of the Bourgeoisie, The | 1972 | Luis Buñuel | 7 | 1.2% |
| = | Distant Voices, Still Lives | 1988 | Terence Davies | 7 | 1.2% |
| = | Duck Soup | 1933 | Leo McCarey | 7 | 1.2% |
| = | Good, the Bad and the Ugly, The | 1966 | Sergio Leone | 7 | 1.2% |
| = | Greed | 1925 | Erich von Stroheim | 7 | 1.2% |
| = | Imitation of Life | 1959 | Douglas Sirk | 7 | 1.2% |
| = | Ivan the Terrible | 1945 | Sergei M Eisenstein | 7 | 1.2% |
| = | King Kong | 1933 | Merian C. Cooper, Ernest B. Schoedsack | 7 | 1.2% |
| = | Life of Oharu, The | 1952 | Mizoguchi Kenji | 7 | 1.2% |
| = | Mouchette | 1966 | Robert Bresson | 7 | 1.2% |
| = | My Neighbour Totoro | 1988 | Miyazaki Hayao | 7 | 1.2% |
| = | Partie de campagne | 1936 | Jean Renoir | 7 | 1.2% |
| = | Piano, The | 1992 | Jane Campion | 7 | 1.2% |
| = | Rosemary's Baby | 1968 | Roman Polanski | 7 | 1.2% |
| = | Safe | 1994 | Todd Haynes | 7 | 1.2% |
| = | Texas Chainsaw Massacre, The | 1974 | Tobe Hooper | 7 | 1.2% |
| = | Thin Red Line, The | 1998 | Terrence Malick | 7 | 1.2% |
| = | Three Colours: Blue | 1993 | Krzysztof Kieslowski | 7 | 1.2% |
| = | Three Colours: Red | 1994 | Krzysztof Kieslowski | 7 | 1.2% |
| = | Walkabout | 1970 | Nicolas Roeg | 7 | 1.2% |
| = | Wizard of Oz, The | 1939 | Victor Fleming | 7 | 1.2% |
| 192 | A nos Amours | 1983 | Maurice Pialat | 6 | 1.0% |
| = | All About Eve | 1950 | Joseph L. Mankiewicz | 6 | 1.0% |
| = | All That Heaven Allows | 1955 | Douglas Sirk | 6 | 1.0% |
| = | Crimes and Misdemeanors | 1989 | Woody Allen | 6 | 1.0% |
| = | Devils, The | 1971 | Ken Russell | 6 | 1.0% |
| = | Double Life of Veronique, The | 1991 | Krzysztof Kieslowski | 6 | 1.0% |
| = | E.T. | 1982 | Steven Spielberg | 6 | 1.0% |
| = | Eraserhead | 1976 | David Lynch | 6 | 1.0% |
| = | Exterminating Angel, The | 1962 | Luis Buñuel | 6 | 1.0% |
| = | Eyes Without a Face | 1960 | Georges Franju | 6 | 1.0% |
| = | Flowers of Shanghai | 1998 | Hsiao-hsien Hou | 6 | 1.0% |
| = | Gold Rush, The | 1925 | Charles Chaplin | 6 | 1.0% |
| = | Green Ray, The | 1986 | Eric Rohmer | 6 | 1.0% |
| = | Hiroshima Mon Amour | 1959 | Alain Resnais | 6 | 1.0% |
| = | I am Cuba | 1964 | Mikhail Kalatozov | 6 | 1.0% |
| = | In a Year of 13 Moons | 1978 | Rainer Werner Fassbinder | 6 | 1.0% |
| = | Jules et Jim | 1962 | François Truffaut | 6 | 1.0% |
| = | Killing of a Chinese Bookie, The | 1976 | John Cassavetes | 6 | 1.0% |
| = | Man Who Shot Liberty Valance, The | 1962 | John Ford | 6 | 1.0% |
| = | Marnie | 1964 | Alfred Hitchcock | 6 | 1.0% |
| = | Memories of Underdevelopment | 1968 | Tomás Gutiérrez Alea | 6 | 1.0% |
| = | My Darling Clementine | 1946 | John Ford | 6 | 1.0% |
| = | Nosferatu | 1922 | F. W. Murnau | 6 | 1.0% |
| = | Once Upon a Time in America | 1983 | Sergio Leone | 6 | 1.0% |
| = | One and a Two, A | 1999 | Edward Yang | 6 | 1.0% |
| = | Orphée | 1950 | Jean Cocteau | 6 | 1.0% |
| = | Plaisir, Le | 1951 | Max Ophüls | 6 | 1.0% |
| = | Puppetmaster, The | 1993 | Hsiao-hsien Hou | 6 | 1.0% |
| = | Rome Open City | 1945 | Roberto Rossellini | 6 | 1.0% |
| = | Salo, or The 120 Days of Sodom | 1975 | Pier Paolo Pasolini | 6 | 1.0% |
| = | Sullivan's Travels | 1941 | Preston Sturges | 6 | 1.0% |
| = | Vampyr | 1932 | Carl Theodor Dreyer | 6 | 1.0% |
| = | Videodrome | 1983 | David Cronenberg | 6 | 1.0% |
| = | Vivre Sa Vie | 1962 | Jean-Luc Godard | 6 | 1.0% |
| = | WALL-E | 2008 | Andrew Stanton | 6 | 1.0% |
| 227 | Band Wagon, The | 1953 | Vincente Minnelli | 5 | 0.9% |
| = | Belle et la Bete, La | 1946 | Jean Cocteau | 5 | 0.9% |
| = | Berlin Alexanderplatz | 1980 | Rainer Werner Fassbinder | 5 | 0.9% |
| = | Best Years of Our Lives, The | 1946 | William Wyler | 5 | 0.9% |
| = | Edvard Munch | 1976 | Peter Watkins | 5 | 0.9% |
| = | Eternal Sunshine of the Spotless Mind | 2004 | Michel Gondry | 5 | 0.9% |
| = | Fargo | 1995 | Joel & Ethan Coen | 5 | 0.9% |
| = | Gone with the Wind | 1939 | Victor Fleming | 5 | 0.9% |
| = | Graduate, The | 1967 | Mike Nichols | 5 | 0.9% |
| = | Headless Woman, The | 2008 | Lucrecia Martel | 5 | 0.9% |
| = | High and Low | 1963 | Akira Kurosawa | 5 | 0.9% |
| = | House is Black, The | 1962 | Forough Farrokhzad | 5 | 0.9% |
| = | Innocents, The | 1961 | Jack Clayton | 5 | 0.9% |
| = | Lady from Shanghai, The | 1947 | Orson Welles | 5 | 0.9% |
| = | Last Laugh, The | 1924 | F. W. Murnau | 5 | 0.9% |
| = | Lola | 1961 | Jacques Demy | 5 | 0.9% |
| = | Long Goodbye, The | 1973 | Robert Altman | 5 | 0.9% |
| = | Lusty Men, The | 1952 | Nicholas Ray | 5 | 0.9% |
| = | McCabe and Mrs Miller | 1971 | Robert Altman | 5 | 0.9% |
| = | Night and Fog | 1955 | Alain Resnais | 5 | 0.9% |
| = | One Flew Over the Cuckoo's Nest | 1975 | Milos Forman | 5 | 0.9% |
| = | Only Angels Have Wings | 1939 | Howard Hawks | 5 | 0.9% |
| = | Paris, Texas | 1984 | Wim Wenders | 5 | 0.9% |
| = | Passenger, The | 1974 | Michelangelo Antonioni | 5 | 0.9% |
| = | Portrait of Ga | 1952 | Margaret Tait | 5 | 0.9% |
| = | Possession | 1981 | Andrzej Zulawski | 5 | 0.9% |
| = | Pulp Fiction | 1994 | Quentin Tarantino | 5 | 0.9% |
| = | Red Desert | 1964 | Michelangelo Antonioni | 5 | 0.9% |
| = | Région Centrale, La | 1971 | Michael Snow | 5 | 0.9% |
| = | Rise to Power of Louis XIV, The | 1966 | Roberto Rossellini | 5 | 0.9% |
| = | Samouraï, Le | 1967 | Jean-Pierre Melville | 5 | 0.9% |
| = | Scorpio Rising | 1964 | Kenneth Anger | 5 | 0.9% |
| = | Sorrow and the Pity, The | 1969 | Marcel Ophüls | 5 | 0.9% |
| = | Spirited Away | 2001 | Miyazaki Hayao | 5 | 0.9% |
| = | This Is Spinal Tap | 1983 | Rob Reiner | 5 | 0.9% |
| = | Touch of Zen, A | 1969 | King Hu | 5 | 0.9% |
| = | Travelling Players, The | 1975 | Theodoros Angelopoulos | 5 | 0.9% |
| = | Trip to the Moon, A | 1902 | Georges Méliès | 5 | 0.9% |
| = | Umberto D | 1952 | Vittorio de Sica | 5 | 0.9% |
| = | Wind Will Carry Us, The | 1999 | Abbas Kiarostami | 5 | 0.9% |
| = | World of Apu, The | 1958 | Satyajit Ray | 5 | 0.9% |
| = | Xala | 1974 | Ousmane Sembene | 5 | 0.9% |
| 269 | Alien | 1979 | Ridley Scott | 4 | 0.7% |
| = | All About My Mother | 1999 | Pedro Almodóvar | 4 | 0.7% |
| = | Alphaville | 1965 | Jean-Luc Godard | 4 | 0.7% |
| = | Anatomy of a Murder | 1959 | Otto Preminger | 4 | 0.7% |
| = | Bad Sleep Well, The | 1960 | Akira Kurosawa | 4 | 0.7% |
| = | Barton Fink | 1991 | Joel & Ethan Coen | 4 | 0.7% |
| = | Belle de Jour | 1967 | Luis Buñuel | 4 | 0.7% |
| = | Big Sleep, The | 1946 | Howard Hawks | 4 | 0.7% |
| = | Black Girl | 1965 | Ousmane Sembene | 4 | 0.7% |
| = | Blissfully Yours | 2002 | Apichatpong Weerasethakul | 4 | 0.7% |
| = | Breaking the Waves | 1996 | Lars von Trier | 4 | 0.7% |
| = | Cabinet of Dr Caligari, The | 1919 | Robert Wiene | 4 | 0.7% |
| = | Code Unknown | 2000 | Michael Haneke | 4 | 0.7% |
| = | Crowd, The | 1928 | King Vidor | 4 | 0.7% |
| = | Cul-de-Sac | 1966 | Roman Polanski | 4 | 0.7% |
| = | Dawn of the Dead | 1978 | George A Romero | 4 | 0.7% |
| = | Dazed and Confused | 1993 | Richard Linklater | 4 | 0.7% |
| = | Dead Ringers | 1988 | David Cronenberg | 4 | 0.7% |
| = | Deer Hunter, The | 1977 | Michael Cimino | 4 | 0.7% |
| = | demoiselles de Rochefort, Les | 1967 | Jacques Demy | 4 | 0.7% |
| = | Detour | 1945 | Edgar G. Ulmer | 4 | 0.7% |
| = | Dog Day Afternoon | 1975 | Sidney Lumet | 4 | 0.7% |
| = | Elephant | 1989 | Alan Clarke | 4 | 0.7% |
| = | Empire | 1964 | Andy Warhol | 4 | 0.7% |
| = | Faster, Pussycat! Kill! Kill! | 1966 | Russ Meyer | 4 | 0.7% |
| = | Festen | 1998 | Thomas Vinterberg | 4 | 0.7% |
| = | Floating Clouds | 1955 | Naruse Mikio | 4 | 0.7% |
| = | Flowers of St Francis, The | 1950 | Roberto Rossellini | 4 | 0.7% |
| = | French Cancan | 1955 | Jean Renoir | 4 | 0.7% |
| = | Gleaners & I, The | 2000 | Agnès Varda | 4 | 0.7% |
| = | Grapes of Wrath, The | 1940 | John Ford | 4 | 0.7% |
| = | Harakiri | 1962 | Kobayashi Masaki | 4 | 0.7% |
| = | Hour of the Furnaces, The | 1968 | Octavio Getino, Fernando E. Solanas | 4 | 0.7% |
| = | Hour of the Wolf | 1968 | Ingmar Bergman | 4 | 0.7% |
| = | How Green Was My Valley | 1941 | John Ford | 4 | 0.7% |
| = | If…. | 1968 | Lindsay Anderson | 4 | 0.7% |
| = | Johnny Guitar | 1954 | Nicholas Ray | 4 | 0.7% |
| = | King of Comedy, The | 1983 | Martin Scorsese | 4 | 0.7% |
| = | Kings of the Road | 1976 | Wim Wenders | 4 | 0.7% |
| = | Late Chrysanthemums | 1954 | Naruse Mikio | 4 | 0.7% |
| = | Lost Highway | 1996 | David Lynch | 4 | 0.7% |
| = | Love Me Tonight | 1932 | Rouben Mamoulian | 4 | 0.7% |
| = | Marketa Lazarová | 1967 | Frantisek Vlácil | 4 | 0.7% |
| = | Masculin Féminin | 1966 | Jean-Luc Godard | 4 | 0.7% |
| = | Melancholia | 2011 | Lars von Trier | 4 | 0.7% |
| = | Muriel | 1963 | Alain Resnais | 4 | 0.7% |
| = | My Night with Maud | 1969 | Eric Rohmer | 4 | 0.7% |
| = | On The Waterfront | 1954 | Elia Kazan | 4 | 0.7% |
| = | Outer Space | 2002 | Peter Tscherkassky | 4 | 0.7% |
| = | Paisà | 1946 | Roberto Rossellini | 4 | 0.7% |
| = | Paths of Glory | 1957 | Stanley Kubrick | 4 | 0.7% |
| = | Ran | 1985 | Akira Kurosawa | 4 | 0.7% |
| = | Red River | 1947 | Howard Hawks, Arthur Rosson | 4 | 0.7% |
| = | Repulsion | 1965 | Roman Polanski | 4 | 0.7% |
| = | Reservoir Dogs | 1991 | Quentin Tarantino | 4 | 0.7% |
| = | Salvatore Giuliano | 1962 | Francesco Rosi | 4 | 0.7% |
| = | Shoot the Pianist | 1960 | François Truffaut | 4 | 0.7% |
| = | Sicilia! | 1998 | Jean-Marie Straub, Danièle Huillet | 4 | 0.7% |
| = | Spring in a Small Town | 1948 | Fei Mu | 4 | 0.7% |
| = | Stagecoach | 1939 | John Ford | 4 | 0.7% |
| = | Story of the Late Chrysanthemums, The | 1939 | Mizoguchi Kenji | 4 | 0.7% |
| = | Synecdoche, New York | 2008 | Charlie Kaufman | 4 | 0.7% |
| = | Throne of Blood | 1957 | Akira Kurosawa | 4 | 0.7% |
| = | Through the Olive Trees | 1994 | Abbas Kiarostami | 4 | 0.7% |
| = | To Be or Not To Be | 1942 | Ernst Lubitsch | 4 | 0.7% |
| = | Toy Story | 1995 | John Lasseter | 4 | 0.7% |
| = | Treasure of Sierra Madre, The | 1947 | John Huston | 4 | 0.7% |
| = | Two-Lane Blacktop | 1971 | Monte Hellman | 4 | 0.7% |
| = | Uzak/Distant | 2003 | Nuri Bilge Ceylan | 4 | 0.7% |
| = | Vacances de M. Hulot, Les | 1953 | Jacques Tati | 4 | 0.7% |
| = | Wagon Master | 1950 | John Ford | 4 | 0.7% |
| = | Week End | 1967 | Jean-Luc Godard | 4 | 0.7% |
| = | West of the Tracks | 2002 | Wang Bing | 4 | 0.7% |
| = | White Material | 2009 | Claire Denis | 4 | 0.7% |
| = | Winter Light | 1972 | Ingmar Bergman | 4 | 0.7% |
| = | Woman of the Dunes | 1964 | Teshigahara Hiroshi | 4 | 0.7% |