Rank |
Title |
Year |
Director |
Total votes |
% of ballots |
1 |
Vertigo |
1958 |
Alfred Hitchcock |
222 |
18.4% |
2 |
Citizen Kane |
1941 |
Orson Welles |
199 |
16.5% |
3 |
Tokyo Story |
1953 |
Ozu Yasujirô |
155 |
12.9% |
4 |
2001: A Space Odyssey |
1968 |
Stanley Kubrick |
132 |
11.0% |
5 |
Règle du jeu, La |
1939 |
Jean Renoir |
117 |
9.7% |
6 |
Sunrise |
1927 |
F. W. Murnau |
110 |
9.1% |
7 |
8½ |
1963 |
Federico Fellini |
104 |
8.6% |
8 |
Searchers, The |
1956 |
John Ford |
89 |
7.4% |
9 |
Apocalypse Now |
1979 |
Francis Ford Coppola |
86 |
7.1% |
10 |
Breathless |
1960 |
Jean-Luc Godard |
84 |
7.0% |
11 |
Man with a Movie Camera |
1929 |
Dziga Vertov |
79 |
6.6% |
12 |
Passion of Joan of Arc |
1927 |
Carl Theodor Dreyer |
78 |
6.5% |
13 |
Mirror |
1974 |
Andrei Tarkovsky |
77 |
6.4% |
14 |
Atalante, L' |
1934 |
Jean Vigo |
75 |
6.2% |
15 |
Godfather: Part I, The |
1972 |
Francis Ford Coppola |
74 |
6.1% |
16 |
Persona |
1966 |
Ingmar Bergman |
73 |
6.1% |
17 |
Taxi Driver |
1976 |
Martin Scorsese |
72 |
6.0% |
18 |
Battleship Potemkin |
1925 |
Sergei M Eisenstein |
71 |
5.9% |
19 |
Seven Samurai |
1954 |
Akira Kurosawa |
70 |
5.8% |
20 |
Au Hasard Balthazar |
1966 |
Robert Bresson |
67 |
5.6% |
21 |
Andrei Rublev |
1966 |
Andrei Tarkovsky |
66 |
5.5% |
= |
Bicycle Thieves, The |
1948 |
Vittorio de Sica |
66 |
5.5% |
23 |
Rashomon |
1950 |
Akira Kurosawa |
63 |
5.2% |
24 |
Ordet |
1955 |
Carl Theodor Dreyer |
61 |
5.1% |
25 |
400 Blows, The |
1959 |
François Truffaut |
58 |
4.8% |
26 |
Avventura, L' |
1960 |
Michelangelo Antonioni |
57 |
4.7% |
27 |
mépris, Le |
1963 |
Jean-Luc Godard |
55 |
4.6% |
= |
Singin' in the Rain |
1951 |
Stanley Donen, Gene Kelly |
55 |
4.6% |
29 |
Late Spring |
1949 |
Ozu Yasujirô |
54 |
4.5% |
= |
Raging Bull |
1980 |
Martin Scorsese |
54 |
4.5% |
31 |
Stalker |
1979 |
Andrei Tarkovsky |
53 |
4.4% |
32 |
Godfather: Part II, The |
1974 |
Francis Ford Coppola |
52 |
4.3% |
33 |
In The Mood For Love |
2000 |
Wong Kar Wai |
51 |
4.2% |
34 |
Shoah |
1985 |
Claude Lanzmann |
50 |
4.1% |
35 |
Mulholland Dr |
2003 |
David Lynch |
48 |
4.0% |
36 |
dolce vita, La |
1960 |
Federico Fellini |
46 |
3.8% |
= |
Psycho |
1960 |
Alfred Hitchcock |
46 |
3.8% |
38 |
Battle of Algiers, The |
1966 |
Gillo Pontecorvo |
45 |
3.7% |
39 |
Barry Lyndon |
1975 |
Stanley Kubrick |
44 |
3.7% |
= |
Close-Up |
1989 |
Abbas Kiarostami |
44 |
3.7% |
= |
Playtime |
1967 |
Jacques Tati |
44 |
3.7% |
= |
Some Like It Hot |
1959 |
Billy Wilder |
44 |
3.7% |
43 |
City Lights |
1931 |
Charles Chaplin |
43 |
3.6% |
= |
Fanny and Alexander |
1984 |
Ingmar Bergman |
43 |
3.6% |
= |
General, The |
1926 |
Buster Keaton |
43 |
3.6% |
= |
Pather Panchali |
1955 |
Satyajit Ray |
43 |
3.6% |
47 |
Gertrud |
1964 |
Carl Theodor Dreyer |
41 |
3.4% |
= |
Journey to Italy |
1954 |
Roberto Rossellini |
41 |
3.4% |
= |
Modern Times |
1936 |
Charles Chaplin |
41 |
3.4% |
= |
Touch of Evil |
1958 |
Orson Welles |
41 |
3.4% |
51 |
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles |
1975 |
Chantal Akerman |
40 |
3.3% |
= |
Sátántangó |
1994 |
Béla Tarr |
40 |
3.3% |
53 |
Metropolis |
1927 |
Fritz Lang |
39 |
3.2% |
= |
Night of the Hunter, The |
1955 |
Charles Laughton |
39 |
3.2% |
= |
Rear Window |
1954 |
Alfred Hitchcock |
39 |
3.2% |
56 |
Pierrot le Fou |
1965 |
Jean-Luc Godard |
38 |
3.2% |
= |
Ugetsu Monogatari |
1953 |
Mizoguchi Kenji |
38 |
3.2% |
58 |
Man Escaped, A |
1956 |
Robert Bresson |
36 |
3.0% |
59 |
M |
1931 |
Fritz Lang |
35 |
2.9% |
= |
Pickpocket |
1959 |
Robert Bresson |
35 |
2.9% |
61 |
North by Northwest |
1959 |
Alfred Hitchcock |
34 |
2.8% |
62 |
Blue Velvet |
1986 |
David Lynch |
33 |
2.7% |
= |
eclisse, L' |
1962 |
Michelangelo Antonioni |
33 |
2.7% |
= |
Histoire(s) du cinéma |
1988-2004 |
Jean-Luc Godard |
33 |
2.7% |
= |
Jetée, La |
1962 |
Chris Marker |
33 |
2.7% |
= |
Once Upon a Time in the West |
1968 |
Sergio Leone |
33 |
2.7% |
= |
Sunset Blvd. |
1950 |
Billy Wilder |
33 |
2.7% |
68 |
Blade Runner |
1982 |
Ridley Scott |
32 |
2.7% |
= |
grande illusion, La |
1937 |
Jean Renoir |
32 |
2.7% |
= |
Maman et la putain, La |
1973 |
Jean Eustache |
32 |
2.7% |
71 |
Lawrence of Arabia |
1962 |
David Lean |
31 |
2.6% |
= |
Leopard, The |
1963 |
Luchino Visconti |
31 |
2.6% |
73 |
Sans Soleil |
1982 |
Chris Marker |
30 |
2.5% |
74 |
Rio Bravo |
1958 |
Howard Hawks |
29 |
2.4% |
75 |
Aguirre, Wrath of God |
1972 |
Werner Herzog |
28 |
2.3% |
= |
Amarcord |
1972 |
Federico Fellini |
28 |
2.3% |
= |
Beau Travail |
1998 |
Claire Denis |
28 |
2.3% |
= |
Chinatown |
1974 |
Roman Polanski |
28 |
2.3% |
= |
Sansho Dayu |
1954 |
Mizoguchi Kenji |
28 |
2.3% |
= |
Third Man, The |
1949 |
Carol Reed |
28 |
2.3% |
= |
Viridiana |
1961 |
Luis Buñuel |
28 |
2.3% |
82 |
Nashville |
1975 |
Robert Altman |
27 |
2.2% |
= |
Wild Bunch, The |
1969 |
Sam Peckinpah |
27 |
2.2% |
84 |
Conformist, The |
1970 |
Bernardo Bertolucci |
26 |
2.2% |
= |
Sherlock Jr |
1924 |
Buster Keaton |
26 |
2.2% |
= |
Spirit of the Beehive, The |
1973 |
Víctor Erice |
26 |
2.2% |
87 |
Apartment, The |
1960 |
Billy Wilder |
25 |
2.1% |
= |
Brighter Summer Day, A |
1991 |
Edward Yang |
25 |
2.1% |
= |
Come And See |
1985 |
Elem Klimov |
25 |
2.1% |
= |
enfants du paradis, Les |
1945 |
Marcel Carné |
25 |
2.1% |
= |
Fear Eats the Soul |
1974 |
Rainer Werner Fassbinder |
25 |
2.1% |
= |
Seventh Seal, The |
1957 |
Ingmar Bergman |
25 |
2.1% |
93 |
Casablanca |
1942 |
Michael Curtiz |
24 |
2.0% |
= |
chien andalou, Un |
1928 |
Luis Buñuel |
24 |
2.0% |
= |
Magnificent Ambersons, The |
1942 |
Orson Welles |
24 |
2.0% |
= |
Wild Strawberries |
1957 |
Ingmar Bergman |
24 |
2.0% |
97 |
Last Year At Marienbad |
1961 |
Alain Resnais |
23 |
1.9% |
= |
olvidados, Los |
1950 |
Luis Buñuel |
23 |
1.9% |
= |
strada, La |
1954 |
Federico Fellini |
23 |
1.9% |
100 |
Blow Up |
1966 |
Michelangelo Antonioni |
22 |
1.8% |
= |
Colour of Pomegranates, The |
1968 |
Sergei Parajanov |
22 |
1.8% |
= |
Touki Bouki |
1973 |
Djibril Diop Mambéty |
22 |
1.8% |
= |
Woman Under the Influence, A |
1974 |
John Cassavetes |
22 |
1.8% |
104 |
Age d'Or, L' |
1930 |
Luis Buñuel |
21 |
1.7% |
= |
Goodfellas |
1990 |
Martin Scorsese |
21 |
1.7% |
= |
Gospel According to St Matthew, The |
1964 |
Pier Paolo Pasolini |
21 |
1.7% |
= |
Greed |
1925 |
Erich von Stroheim |
21 |
1.7% |
= |
Life and Death of Colonel Blimp, The |
1943 |
Michael Powell, Emeric Pressburger |
21 |
1.7% |
= |
Travelling Players, The |
1975 |
Theodoros Angelopoulos |
21 |
1.7% |
= |
Tree of Life, The |
2010 |
Terrence Malick |
21 |
1.7% |
= |
Vivre Sa Vie |
1962 |
Jean-Luc Godard |
21 |
1.7% |
112 |
argent, L' |
1983 |
Robert Bresson |
20 |
1.7% |
= |
Don't Look Now |
1973 |
Nicolas Roeg |
20 |
1.7% |
= |
Dr. Strangelove |
1963 |
Stanley Kubrick |
20 |
1.7% |
= |
Imitation of Life |
1959 |
Douglas Sirk |
20 |
1.7% |
= |
Intolerance |
1916 |
D.W. Griffith |
20 |
1.7% |
= |
Matter of Life and Death, A |
1946 |
Michael Powell, Emeric Pressburger |
20 |
1.7% |
= |
Mouchette |
1966 |
Robert Bresson |
20 |
1.7% |
= |
One and a Two, A |
1999 |
Edward Yang |
20 |
1.7% |
= |
Partie de campagne |
1936 |
Jean Renoir |
20 |
1.7% |
121 |
Days of Heaven |
1978 |
Terrence Malick |
19 |
1.6% |
= |
Hidden |
2004 |
Michael Haneke |
19 |
1.6% |
= |
Jules et Jim |
1962 |
François Truffaut |
19 |
1.6% |
= |
Lady Eve, The |
1941 |
Preston Sturges |
19 |
1.6% |
= |
Man Who Shot Liberty Valance, The |
1962 |
John Ford |
19 |
1.6% |
= |
Performance |
1970 |
Donald Cammell, Nicolas Roeg |
19 |
1.6% |
= |
Pulp Fiction |
1994 |
Quentin Tarantino |
19 |
1.6% |
= |
River, The |
1951 |
Jean Renoir |
19 |
1.6% |
= |
Shining, The |
1980 |
Stanley Kubrick |
19 |
1.6% |
= |
Trouble in Paradise |
1932 |
Ernst Lubitsch |
19 |
1.6% |
= |
Two or Three Things I Know About Her… |
1967 |
Jean-Luc Godard |
19 |
1.6% |
= |
Wavelength |
1967 |
Michael Snow |
19 |
1.6% |
133 |
Annie Hall |
1977 |
Woody Allen |
18 |
1.5% |
= |
Do The Right Thing |
1989 |
Spike Lee |
18 |
1.5% |
= |
Gold Rush, The |
1925 |
Charles Chaplin |
18 |
1.5% |
= |
Ikiru |
1952 |
Akira Kurosawa |
18 |
1.5% |
= |
Ivan the Terrible |
1945 |
Sergei M Eisenstein |
18 |
1.5% |
= |
Madame de… |
1953 |
Max Ophüls |
18 |
1.5% |
= |
Tropical Malady |
2004 |
Apichatpong Weerasethakul |
18 |
1.5% |
140 |
Badlands |
1973 |
Terrence Malick |
17 |
1.4% |
= |
Hiroshima Mon Amour |
1959 |
Alain Resnais |
17 |
1.4% |
= |
Last Laugh, The |
1924 |
F. W. Murnau |
17 |
1.4% |
= |
Letter From an Unknown Woman |
1948 |
Max Ophüls |
17 |
1.4% |
= |
Meshes of the Afternoon |
1943 |
Maya Deren, Alexander Hammid |
17 |
1.4% |
= |
Passenger, The |
1974 |
Michelangelo Antonioni |
17 |
1.4% |
= |
To Be or Not To Be |
1942 |
Ernst Lubitsch |
17 |
1.4% |
147 |
Black Narcissus |
1947 |
Michael Powell, Emeric Pressburger |
16 |
1.3% |
= |
Bringing Up Baby |
1938 |
Howard Hawks |
16 |
1.3% |
= |
City of Sadness, A |
1989 |
Hsiao-hsien Hou |
16 |
1.3% |
= |
Good, the Bad and the Ugly, The |
1966 |
Sergio Leone |
16 |
1.3% |
= |
Great Dictator, The |
1940 |
Charles Chaplin |
16 |
1.3% |
= |
Memories of Underdevelopment |
1968 |
Tomás Gutiérrez Alea |
16 |
1.3% |
= |
Napoleon |
1927 |
Abel Gance |
16 |
1.3% |
= |
Nosferatu |
1922 |
F. W. Murnau |
16 |
1.3% |
= |
Red Shoes, The |
1948 |
Michael Powell, Emeric Pressburger |
16 |
1.3% |
= |
Salo, or The 120 Days of Sodom |
1975 |
Pier Paolo Pasolini |
16 |
1.3% |
= |
Spring in a Small Town |
1948 |
Fei Mu |
16 |
1.3% |
= |
There Will Be Blood |
2007 |
Paul Thomas Anderson |
16 |
1.3% |
= |
Three Colours: Blue |
1993 |
Krzysztof Kieslowski |
16 |
1.3% |
160 |
Breaking the Waves |
1996 |
Lars von Trier |
15 |
1.2% |
= |
Canterbury Tale, A |
1944 |
Michael Powell, Emeric Pressburger |
15 |
1.2% |
= |
Celine and Julie Go Boating |
1974 |
Jacques Rivette |
15 |
1.2% |
= |
Chungking Express |
1994 |
Wong Kar Wai |
15 |
1.2% |
= |
Clockwork Orange, A |
1971 |
Stanley Kubrick |
15 |
1.2% |
= |
E.T. |
1982 |
Steven Spielberg |
15 |
1.2% |
= |
Faces |
1968 |
John Cassavetes |
15 |
1.2% |
= |
Hour of the Wolf |
1968 |
Ingmar Bergman |
15 |
1.2% |
= |
Husbands |
1970 |
John Cassavetes |
15 |
1.2% |
= |
Kes |
1969 |
Ken Loach |
15 |
1.2% |
= |
Meet Me In St. Louis |
1944 |
Vincente Minnelli |
15 |
1.2% |
= |
Once Upon a Time in America |
1983 |
Sergio Leone |
15 |
1.2% |
= |
One Flew Over the Cuckoo's Nest |
1975 |
Milos Forman |
15 |
1.2% |
= |
Umbrellas of Cherbourg, The |
1964 |
Jacques Demy |
15 |
1.2% |
= |
Vampyr |
1932 |
Carl Theodor Dreyer |
15 |
1.2% |
= |
Werckmeister Harmonies, The |
2000 |
Béla Tarr |
15 |
1.2% |
176 |
Brief Encounter |
1945 |
David Lean |
14 |
1.2% |
= |
Cries and Whispers |
1957 |
Ingmar Bergman |
14 |
1.2% |
= |
Diary of a Country Priest |
1951 |
Robert Bresson |
14 |
1.2% |
= |
Discreet Charm of the Bourgeoisie, The |
1972 |
Luis Buñuel |
14 |
1.2% |
= |
Manhattan |
1979 |
Woody Allen |
14 |
1.2% |
= |
My Neighbour Totoro |
1988 |
Miyazaki Hayao |
14 |
1.2% |
= |
Rome Open City |
1945 |
Roberto Rossellini |
14 |
1.2% |
= |
Samouraï, Le |
1967 |
Jean-Pierre Melville |
14 |
1.2% |
= |
Solaris |
1972 |
Andrei Tarkovsky |
14 |
1.2% |
= |
Thin Red Line, The |
1998 |
Terrence Malick |
14 |
1.2% |
= |
Wizard of Oz, The |
1939 |
Victor Fleming |
14 |
1.2% |
187 |
Chimes at Midnight |
1966 |
Orson Welles |
13 |
1.1% |
= |
Exterminating Angel, The |
1962 |
Luis Buñuel |
13 |
1.1% |
= |
Germany Year Zero |
1948 |
Roberto Rossellini |
13 |
1.1% |
= |
Grapes of Wrath, The |
1940 |
John Ford |
13 |
1.1% |
= |
I am Cuba |
1964 |
Mikhail Kalatozov |
13 |
1.1% |
= |
Jaws |
1975 |
Steven Spielberg |
13 |
1.1% |
= |
Kind Hearts and Coronets |
1949 |
Robert Hamer |
13 |
1.1% |
= |
Marketa Lazarová |
1967 |
Frantisek Vlácil |
13 |
1.1% |
= |
Out 1 |
1990 |
Jacques Rivette |
13 |
1.1% |
= |
Rocco and his Brothers |
1960 |
Luchino Visconti |
13 |
1.1% |
= |
Star Wars |
1977 |
George Lucas |
13 |
1.1% |
= |
Turin Horse, The |
2011 |
Béla Tarr |
13 |
1.1% |
= |
Uncle Boonmee Who Can Recall His Past Lives |
2010 |
Apichatpong Weerasethakul |
13 |
1.1% |
200 |
Belle de Jour |
1967 |
Luis Buñuel |
12 |
1.0% |
= |
Big Lebowski, The |
1998 |
Joel & Ethan Coen |
12 |
1.0% |
= |
Conversation, The |
1974 |
Francis Ford Coppola |
12 |
1.0% |
= |
Day of Wrath |
1943 |
Carl Theodor Dreyer |
12 |
1.0% |
= |
Death of Mr Lazarescu, The |
2005 |
Cristi Puiu |
12 |
1.0% |
= |
Distant Voices, Still Lives |
1988 |
Terence Davies |
12 |
1.0% |
= |
Earth |
1930 |
Aleksandr Dovzhenko |
12 |
1.0% |
= |
Eraserhead |
1976 |
David Lynch |
12 |
1.0% |
= |
In a Lonely Place |
1950 |
Nicholas Ray |
12 |
1.0% |
= |
It's a Wonderful Life |
1947 |
Frank Capra |
12 |
1.0% |
= |
King Kong |
1933 |
Merian C. Cooper, Ernest B. Schoedsack |
12 |
1.0% |
= |
Life of Oharu, The |
1952 |
Mizoguchi Kenji |
12 |
1.0% |
= |
Melancholia |
2011 |
Lars von Trier |
12 |
1.0% |
= |
My Darling Clementine |
1946 |
John Ford |
12 |
1.0% |
= |
Notorious |
1946 |
Alfred Hitchcock |
12 |
1.0% |
= |
Only Angels Have Wings |
1939 |
Howard Hawks |
12 |
1.0% |
= |
Out of the Past |
1947 |
Jacques Tourneur |
12 |
1.0% |
= |
Story of the Late Chrysanthemums, The |
1939 |
Mizoguchi Kenji |
12 |
1.0% |
= |
Sweet Smell of Success |
1957 |
Alexander Mackendrick |
12 |
1.0% |
= |
Tabu |
1931 |
F. W. Murnau |
12 |
1.0% |
= |
Videodrome |
1983 |
David Cronenberg |
12 |
1.0% |
= |
Zero de Conduite |
1933 |
Jean Vigo |
12 |
1.0% |
222 |
Ashes and Diamonds |
1958 |
Andrzej Wajda |
11 |
0.9% |
= |
Berlin Alexanderplatz |
1980 |
Rainer Werner Fassbinder |
11 |
0.9% |
= |
Deer Hunter, The |
1977 |
Michael Cimino |
11 |
0.9% |
= |
His Girl Friday |
1939 |
Howard Hawks |
11 |
0.9% |
= |
Killing of a Chinese Bookie, The |
1976 |
John Cassavetes |
11 |
0.9% |
= |
Love Streams |
1984 |
John Cassavetes |
11 |
0.9% |
= |
Music Room, The |
1958 |
Satyajit Ray |
11 |
0.9% |
= |
Opening Night |
1977 |
John Cassavetes |
11 |
0.9% |
= |
Paisà |
1946 |
Roberto Rossellini |
11 |
0.9% |
= |
Piano, The |
1992 |
Jane Campion |
11 |
0.9% |
= |
Russian Ark |
2002 |
Aleksandr Sokurov |
11 |
0.9% |
= |
Spirited Away |
2001 |
Miyazaki Hayao |
11 |
0.9% |
= |
Thin Blue Line, The |
1989 |
Errol Morris |
11 |
0.9% |
= |
Trip to the Moon, A |
1902 |
Georges Méliès |
11 |
0.9% |
= |
Umberto D |
1952 |
Vittorio de Sica |
11 |
0.9% |
237 |
A nos Amours |
1983 |
Maurice Pialat |
10 |
0.8% |
= |
Army of Shadows |
1969 |
Jean-Pierre Melville |
10 |
0.8% |
= |
Big Sleep, The |
1946 |
Howard Hawks |
10 |
0.8% |
= |
Blissfully Yours |
2002 |
Apichatpong Weerasethakul |
10 |
0.8% |
= |
Crimes and Misdemeanors |
1989 |
Woody Allen |
10 |
0.8% |
= |
Devil Probably, The |
1977 |
Robert Bresson |
10 |
0.8% |
= |
Floating Clouds |
1955 |
Naruse Mikio |
10 |
0.8% |
= |
I Was Born, But… |
1932 |
Ozu Yasujirô |
10 |
0.8% |
= |
Killer of Sheep |
1977 |
Charles Burnett |
10 |
0.8% |
= |
Listen to Britain |
1942 |
Humphrey Jennings, Stewart McAllister |
10 |
0.8% |
= |
My Night with Maud |
1969 |
Eric Rohmer |
10 |
0.8% |
= |
Night and Fog |
1955 |
Alain Resnais |
10 |
0.8% |
= |
Nights of Cabiria |
1957 |
Federico Fellini |
10 |
0.8% |
= |
notte, La |
1961 |
Michelangelo Antonioni |
10 |
0.8% |
= |
Pandora's Box |
1928 |
G W Pabst |
10 |
0.8% |
= |
Paths of Glory |
1957 |
Stanley Kubrick |
10 |
0.8% |
= |
Puppetmaster, The |
1993 |
Hsiao-hsien Hou |
10 |
0.8% |
= |
Red River |
1947 |
Howard Hawks, Arthur Rosson |
10 |
0.8% |
= |
Rosemary's Baby |
1968 |
Roman Polanski |
10 |
0.8% |
= |
Shop Around the Corner, The |
1940 |
Ernst Lubitsch |
10 |
0.8% |
= |
Tale of Tales, A |
1979 |
Yuri Norstein |
10 |
0.8% |
= |
Texas Chainsaw Massacre, The |
1974 |
Tobe Hooper |
10 |
0.8% |
= |
Three Colours: Red |
1994 |
Krzysztof Kieslowski |
10 |
0.8% |
= |
Through the Olive Trees |
1994 |
Abbas Kiarostami |
10 |
0.8% |
= |
Wanda |
1970 |
Barbara Loden |
10 |
0.8% |
= |
Where is My Friend's House? |
1989 |
Abbas Kiarostami |
10 |
0.8% |
= |
White Ribbon, The |
2009 |
Michael Haneke |
10 |
0.8% |
= |
Wings of Desire |
1987 |
Wim Wenders |
10 |
0.8% |
265 |
Alien |
1979 |
Ridley Scott |
9 |
0.7% |
= |
All About Eve |
1950 |
Joseph L. Mankiewicz |
9 |
0.7% |
= |
Best Years of Our Lives, The |
1946 |
William Wyler |
9 |
0.7% |
= |
Birds, The |
1963 |
Alfred Hitchcock |
9 |
0.7% |
= |
Black God, White Devil |
1964 |
Glauber Rocha |
9 |
0.7% |
= |
Cabinet of Dr Caligari, The |
1919 |
Robert Wiene |
9 |
0.7% |
= |
Chelsea Girls |
1966 |
Andy Warhol, Paul Morrissey |
9 |
0.7% |
= |
Cleo from 5 to 7 |
1962 |
Agnès Varda |
9 |
0.7% |
= |
Cloud-Capped Star, The |
1960 |
Ritwik Ghatak |
9 |
0.7% |
= |
Colossal Youth |
2006 |
Pedro Costa |
9 |
0.7% |
= |
Death in Venice |
1971 |
Luchino Visconti |
9 |
0.7% |
= |
Dogville |
2003 |
Lars von Trier |
9 |
0.7% |
= |
Double Life of Veronique, The |
1991 |
Krzysztof Kieslowski |
9 |
0.7% |
= |
Duck Soup |
1933 |
Leo McCarey |
9 |
0.7% |
= |
F for Fake |
1975 |
Orson Welles |
9 |
0.7% |
= |
Festen |
1998 |
Thomas Vinterberg |
9 |
0.7% |
= |
Gone with the Wind |
1939 |
Victor Fleming |
9 |
0.7% |
= |
Green Ray, The |
1986 |
Eric Rohmer |
9 |
0.7% |
= |
Groundhog Day |
1993 |
Harold Ramis |
9 |
0.7% |
= |
Happy Together |
1997 |
Wong Kar Wai |
9 |
0.7% |
= |
House is Black, The |
1962 |
Forough Farrokhzad |
9 |
0.7% |
= |
I Know Where I'm Going! |
1945 |
Michael Powell, Emeric Pressburger |
9 |
0.7% |
= |
In a Year of 13 Moons |
1978 |
Rainer Werner Fassbinder |
9 |
0.7% |
= |
Ivan's Childhood |
1962 |
Andrei Tarkovsky |
9 |
0.7% |
= |
Kings of the Road |
1976 |
Wim Wenders |
9 |
0.7% |
= |
Marnie |
1964 |
Alfred Hitchcock |
9 |
0.7% |
= |
Nanook of the North |
1922 |
Robert J. Flaherty |
9 |
0.7% |
= |
Nostalghia |
1983 |
Andrei Tarkovsky |
9 |
0.7% |
= |
Paris, Texas |
1984 |
Wim Wenders |
9 |
0.7% |
= |
Ran |
1985 |
Akira Kurosawa |
9 |
0.7% |
= |
Separation, A |
2011 |
Asghar Farhadi |
9 |
0.7% |
= |
Touch of Zen, A |
1969 |
King Hu |
9 |
0.7% |
297 |
Autumn Afternoon, An |
1962 |
Ozu Yasujirô |
8 |
0.7% |
= |
Band Wagon, The |
1953 |
Vincente Minnelli |
8 |
0.7% |
= |
Crowd, The |
1928 |
King Vidor |
8 |
0.7% |
= |
Daisies |
1966 |
Vera Chytilová |
8 |
0.7% |
= |
Enigma of Kaspar Hauser, The |
1974 |
Werner Herzog |
8 |
0.7% |
= |
Fargo |
1995 |
Joel & Ethan Coen |
8 |
0.7% |
= |
How Green Was My Valley |
1941 |
John Ford |
8 |
0.7% |
= |
Johnny Guitar |
1954 |
Nicholas Ray |
8 |
0.7% |
= |
Magnolia |
1999 |
Paul Thomas Anderson |
8 |
0.7% |
= |
October |
1928 |
Sergei M Eisenstein |
8 |
0.7% |
= |
Pyaasa |
1957 |
Guru Dutt |
8 |
0.7% |
= |
Quince Tree Sun, The |
1992 |
Víctor Erice |
8 |
0.7% |
= |
Red Desert |
1964 |
Michelangelo Antonioni |
8 |
0.7% |
= |
Rise to Power of Louis XIV, The |
1966 |
Roberto Rossellini |
8 |
0.7% |
= |
Rosetta |
1999 |
Jean-Pierre Dardenne, Luc Dardenne |
8 |
0.7% |
= |
Shadows |
1959 |
John Cassavetes |
8 |
0.7% |
= |
Shadows of Our Forgotten Ancestors |
1964 |
Sergei Parajanov |
8 |
0.7% |
= |
Sicilia! |
1998 |
Jean-Marie Straub, Danièle Huillet |
8 |
0.7% |
= |
Stromboli |
1950 |
Roberto Rossellini |
8 |
0.7% |
= |
Taste of Cherry, The |
1997 |
Abbas Kiarostami |
8 |
0.7% |
= |
Testament of Dr Mabuse, The |
1933 |
Fritz Lang |
8 |
0.7% |
= |
Throne of Blood |
1957 |
Akira Kurosawa |
8 |
0.7% |
= |
Walkabout |
1970 |
Nicolas Roeg |
8 |
0.7% |
= |
WALL-E |
2008 |
Andrew Stanton |
8 |
0.7% |
= |
West of the Tracks |
2002 |
Wang Bing |
8 |
0.7% |
= |
Wind Will Carry Us, The |
1999 |
Abbas Kiarostami |
8 |
0.7% |
= |
World of Apu, The |
1958 |
Satyajit Ray |
8 |
0.7% |
324 |
All About My Mother |
1999 |
Pedro Almodóvar |
7 |
0.6% |
= |
All That Heaven Allows |
1955 |
Douglas Sirk |
7 |
0.6% |
= |
Black Girl |
1965 |
Ousmane Sembene |
7 |
0.6% |
= |
Boudu Saved from Drowning |
1932 |
Jean Renoir |
7 |
0.6% |
= |
By the Bluest of Seas |
1935 |
Boris Barnet, S. Mardanin |
7 |
0.6% |
= |
Cranes are Flying, The |
1957 |
Mikhail Kalatozov |
7 |
0.6% |
= |
Crime of Monsieur Lange, The |
1935 |
Jean Renoir |
7 |
0.6% |
= |
Days of Being Wild |
1990 |
Wong Kar Wai |
7 |
0.6% |
= |
Dekalog |
1988 |
Krzysztof Kieslowski |
7 |
0.6% |
= |
demoiselles de Rochefort, Les |
1967 |
Jacques Demy |
7 |
0.6% |
= |
Double Indemnity |
1944 |
Billy Wilder |
7 |
0.6% |
= |
Early Summer |
1951 |
Ozu Yasujirô |
7 |
0.6% |
= |
Edvard Munch |
1976 |
Peter Watkins |
7 |
0.6% |
= |
Eyes Without a Face |
1960 |
Georges Franju |
7 |
0.6% |
= |
Five Easy Pieces |
1970 |
Bob Rafelson |
7 |
0.6% |
= |
Flowers of Shanghai |
1998 |
Hsiao-hsien Hou |
7 |
0.6% |
= |
French Cancan |
1955 |
Jean Renoir |
7 |
0.6% |
= |
Grido, Il |
1957 |
Michelangelo Antonioni |
7 |
0.6% |
= |
High and Low |
1963 |
Akira Kurosawa |
7 |
0.6% |
= |
Idiots, The |
1998 |
Lars von Trier |
7 |
0.6% |
= |
If…. |
1968 |
Lindsay Anderson |
7 |
0.6% |
= |
Inland Empire |
2006 |
David Lynch |
7 |
0.6% |
= |
Kid, The |
1921 |
Charles Chaplin |
7 |
0.6% |
= |
King of Comedy, The |
1983 |
Martin Scorsese |
7 |
0.6% |
= |
Koyaanisqatsi |
1983 |
Godfrey Reggio |
7 |
0.6% |
= |
Lady from Shanghai, The |
1947 |
Orson Welles |
7 |
0.6% |
= |
Landscape in the Mist |
1988 |
Theodoros Angelopoulos |
7 |
0.6% |
= |
Last Picture Show, The |
1971 |
Peter Bogdanovich |
7 |
0.6% |
= |
Lost Highway |
1996 |
David Lynch |
7 |
0.6% |
= |
Make Way for Tomorrow |
1937 |
Leo McCarey |
7 |
0.6% |
= |
McCabe and Mrs Miller |
1971 |
Robert Altman |
7 |
0.6% |
= |
Moment of Innocence, A |
1995 |
Mohsen Makhmalbaf |
7 |
0.6% |
= |
Nouvelle Vague |
1990 |
Jean-Luc Godard |
7 |
0.6% |
= |
Plaisir, Le |
1951 |
Max Ophüls |
7 |
0.6% |
= |
Quiet Man, The |
1952 |
John Ford |
7 |
0.6% |
= |
Région Centrale, La |
1971 |
Michael Snow |
7 |
0.6% |
= |
Safe |
1994 |
Todd Haynes |
7 |
0.6% |
= |
Silent Light |
2007 |
Carlos Reygadas |
7 |
0.6% |
= |
Stagecoach |
1939 |
John Ford |
7 |
0.6% |
= |
Sullivan's Travels |
1941 |
Preston Sturges |
7 |
0.6% |
= |
Two-Lane Blacktop |
1971 |
Monte Hellman |
7 |
0.6% |
= |
Underground |
1995 |
Emir Kusturica |
7 |
0.6% |
= |
Wagon Master |
1950 |
John Ford |
7 |
0.6% |
= |
Xala |
1974 |
Ousmane Sembene |
7 |
0.6% |
= |
Yeelen |
1987 |
Souleymane Cisse |
7 |
0.6% |
369 |
Affair to Remember, An |
1957 |
Leo McCarey |
6 |
0.5% |
= |
Alphaville |
1965 |
Jean-Luc Godard |
6 |
0.5% |
= |
Belle et la Bete, La |
1946 |
Jean Cocteau |
6 |
0.5% |
= |
Broken Blossoms |
1919 |
D.W. Griffith |
6 |
0.5% |
= |
Charulata |
1964 |
Satyajit Ray |
6 |
0.5% |
= |
Closely Observed Trains |
1966 |
Jirí Menzel |
6 |
0.5% |
= |
Code Unknown |
2000 |
Michael Haneke |
6 |
0.5% |
= |
Devils, The |
1971 |
Ken Russell |
6 |
0.5% |
= |
Dr Mabuse, The Gambler |
1922 |
Fritz Lang |
6 |
0.5% |
= |
El |
1953 |
Luis Buñuel |
6 |
0.5% |
= |
Elephant |
2003 |
Gus van Sant |
6 |
0.5% |
= |
Empire |
1964 |
Andy Warhol |
6 |
0.5% |
= |
Entranced Earth |
1967 |
Glauber Rocha |
6 |
0.5% |
= |
Europa 51 |
1952 |
Roberto Rossellini |
6 |
0.5% |
= |
Executioner, The |
1963 |
Luis García Berlanga |
6 |
0.5% |
= |
Flowers of St Francis, The |
1950 |
Roberto Rossellini |
6 |
0.5% |
= |
Freaks |
1932 |
Tod Browning |
6 |
0.5% |
= |
From the Clouds to the Resistance |
1979 |
Jean-Marie Straub, Danièle Huillet |
6 |
0.5% |
= |
Graduate, The |
1967 |
Mike Nichols |
6 |
0.5% |
= |
Hour of the Furnaces, The |
1968 |
Octavio Getino, Fernando E. Solanas |
6 |
0.5% |
= |
In the Realm of the Senses |
1976 |
Nagisa Oshima |
6 |
0.5% |
= |
India Song |
1975 |
Marguerite Duras |
6 |
0.5% |
= |
Innocents, The |
1961 |
Jack Clayton |
6 |
0.5% |
= |
Last Bolshevik, The |
1993 |
Chris Marker |
6 |
0.5% |
= |
Lola |
1961 |
Jacques Demy |
6 |
0.5% |
= |
Matrix, The |
1999 |
Andy Wachowski, Lana Wachowski |
6 |
0.5% |
= |
Monsieur Verdoux |
1947 |
Charles Chaplin |
6 |
0.5% |
= |
Mother and Son |
1997 |
Aleksandr Sokurov |
6 |
0.5% |
= |
Muriel |
1963 |
Alain Resnais |
6 |
0.5% |
= |
Numéro deux |
1975 |
Jean-Luc Godard, Anne-Marie Miéville |
6 |
0.5% |
= |
Orphée |
1950 |
Jean Cocteau |
6 |
0.5% |
= |
Outer Space |
2002 |
Peter Tscherkassky |
6 |
0.5% |
= |
Possession |
1981 |
Andrzej Zulawski |
6 |
0.5% |
= |
Reservoir Dogs |
1991 |
Quentin Tarantino |
6 |
0.5% |
= |
Round-Up, The |
1966 |
Miklos Jancso |
6 |
0.5% |
= |
Sacrifice, The |
1986 |
Andrei Tarkovsky |
6 |
0.5% |
= |
Salvatore Giuliano |
1962 |
Francesco Rosi |
6 |
0.5% |
= |
Scorpio Rising |
1964 |
Kenneth Anger |
6 |
0.5% |
= |
Short Film About Killing, A |
1987 |
Krzysztof Kieslowski |
6 |
0.5% |
= |
Silence, The |
1963 |
Ingmar Bergman |
6 |
0.5% |
= |
Songs from the Second Floor |
2000 |
Roy Andersson |
6 |
0.5% |
= |
Sorrow and the Pity, The |
1969 |
Marcel Ophüls |
6 |
0.5% |
= |
Stranger than Paradise |
1982 |
Jim Jarmusch |
6 |
0.5% |
= |
Tenant, The |
1976 |
Roman Polanski |
6 |
0.5% |
= |
Wages of Fear, The |
1953 |
Henri-Georges Clouzot |
6 |
0.5% |
= |
Week End |
1967 |
Jean-Luc Godard |
6 |
0.5% |
= |
Woman of the Dunes |
1964 |
Teshigahara Hiroshi |
6 |
0.5% |
= |
Young Mr Lincoln |
1939 |
John Ford |
6 |
0.5% |
417 |
After Life |
1998 |
Koreeda Hirokazu |
5 |
0.4% |
= |
Aguaespejo granadino |
1955 |
José Val del Omar |
5 |
0.4% |
= |
Angel at My Table, An |
1992 |
Jane Campion |
5 |
0.4% |
= |
Au Revoir les enfants |
1987 |
Louis Malle |
5 |
0.4% |
= |
Awful Truth, The |
1937 |
Leo McCarey |
5 |
0.4% |
= |
Barton Fink |
1991 |
Joel & Ethan Coen |
5 |
0.4% |
= |
Birth of a Nation, The |
1915 |
D.W. Griffith |
5 |
0.4% |
= |
Bonnie and Clyde |
1967 |
Arthur Penn |
5 |
0.4% |
= |
Casino |
1995 |
Martin Scorsese |
5 |
0.4% |
= |
cercle rouge, Le |
1970 |
Jean-Pierre Melville |
5 |
0.4% |
= |
Ciénaga, La |
2001 |
Lucrecia Martel |
5 |
0.4% |
= |
Dawn of the Dead |
1978 |
George A Romero |
5 |
0.4% |
= |
Dead Ringers |
1988 |
David Cronenberg |
5 |
0.4% |
= |
Dersu Uzala |
1975 |
Akira Kurosawa |
5 |
0.4% |
= |
Diary |
1983 |
David Perlov |
5 |
0.4% |
= |
Dog Day Afternoon |
1975 |
Sidney Lumet |
5 |
0.4% |
= |
Don't Look Back |
1967 |
D.A. Pennebaker |
5 |
0.4% |
= |
Down By Law |
1986 |
Jim Jarmusch |
5 |
0.4% |
= |
Elephant |
1989 |
Alan Clarke |
5 |
0.4% |
= |
Elephant Man, The |
1980 |
David Lynch |
5 |
0.4% |
= |
Eternal Sunshine of the Spotless Mind |
2004 |
Michel Gondry |
5 |
0.4% |
= |
Evolution of a Filipino Family |
2004 |
Lav Díaz |
5 |
0.4% |
= |
Eyes Wide Shut |
1999 |
Stanley Kubrick |
5 |
0.4% |
= |
Faust |
1926 |
F. W. Murnau |
5 |
0.4% |
= |
Fitzcarraldo |
1981 |
Werner Herzog |
5 |
0.4% |
= |
Flaming Creatures |
1963 |
Jack Smith |
5 |
0.4% |
= |
Gummo |
1997 |
Harmony Korine |
5 |
0.4% |
= |
Hannah and Her Sisters |
1986 |
Woody Allen |
5 |
0.4% |
= |
Hatari! |
1961 |
Howard Hawks |
5 |
0.4% |
= |
Headless Woman, The |
2008 |
Lucrecia Martel |
5 |
0.4% |
= |
Heaven's Gate |
1980 |
Michael Cimino |
5 |
0.4% |
= |
Holy Mountain, The |
1973 |
Alejandro Jodorowsky |
5 |
0.4% |
= |
In Vanda's Room |
2000 |
Pedro Costa |
5 |
0.4% |
= |
Kagemusha |
1980 |
Akira Kurosawa |
5 |
0.4% |
= |
Land Without Bread |
1933 |
Luis Buñuel |
5 |
0.4% |
= |
Lola Montès |
1955 |
Max Ophüls |
5 |
0.4% |
= |
Long Goodbye, The |
1973 |
Robert Altman |
5 |
0.4% |
= |
Love Me Tonight |
1932 |
Rouben Mamoulian |
5 |
0.4% |
= |
Lusty Men, The |
1952 |
Nicholas Ray |
5 |
0.4% |
= |
Masculin Féminin |
1966 |
Jean-Luc Godard |
5 |
0.4% |
= |
Mothlight |
1963 |
Stan Brakhage |
5 |
0.4% |
= |
My Friend Ivan Lapshin |
1986 |
Aleksey German |
5 |
0.4% |
= |
Naked |
1993 |
Mike Leigh |
5 |
0.4% |
= |
Obscure Object of Desire, That |
1977 |
Luis Buñuel |
5 |
0.4% |
= |
On The Waterfront |
1954 |
Elia Kazan |
5 |
0.4% |
= |
Once Upon a Time in Anatolia |
2011 |
Nuri Bilge Ceylan |
5 |
0.4% |
= |
Passion |
1982 |
Jean-Luc Godard |
5 |
0.4% |
= |
Pat Garrett & Billy the Kid |
1973 |
Sam Peckinpah |
5 |
0.4% |
= |
Picnic At Hanging Rock |
1975 |
Peter Weir |
5 |
0.4% |
= |
Platform |
2000 |
Jia Zhang Ke |
5 |
0.4% |
= |
Port of Shadows |
1938 |
Marcel Carné |
5 |
0.4% |
= |
Portrait of Ga |
1952 |
Margaret Tait |
5 |
0.4% |
= |
Providence |
1977 |
Alain Resnais |
5 |
0.4% |
= |
Purple Rose of Cairo, The |
1985 |
Woody Allen |
5 |
0.4% |
= |
Satyricon |
1969 |
Federico Fellini |
5 |
0.4% |
= |
Scenes from a Marriage |
1995 |
Ingmar Bergman |
5 |
0.4% |
= |
Seasons of the Year, The |
1975 |
Artavazd Pelechian |
5 |
0.4% |
= |
Short Cuts |
1993 |
Robert Altman |
5 |
0.4% |
= |
Son, The |
2002 |
Jean-Pierre Dardenne, Luc Dardenne |
5 |
0.4% |
= |
Steamboat Bill, Jr. |
1928 |
Buster Keaton |
5 |
0.4% |
= |
Syndromes and a Century |
2006 |
Apichatpong Weerasethakul |
5 |
0.4% |
= |
Teorema |
1968 |
Pier Paolo Pasolini |
5 |
0.4% |
= |
The Tiger of Eschnapur/The Indian Tomb |
1958 |
Fritz Lang |
5 |
0.4% |
= |
They Live By Night |
1948 |
Nicholas Ray |
5 |
0.4% |
= |
Thing, The |
1982 |
John Carpenter |
5 |
0.4% |
= |
This Is Spinal Tap |
1983 |
Rob Reiner |
5 |
0.4% |
= |
Treasure of Sierra Madre, The |
1947 |
John Huston |
5 |
0.4% |
= |
Tristana |
1970 |
Luis Buñuel |
5 |
0.4% |
= |
Viva l'Amour |
1994 |
Tsai Ming Liang |
5 |
0.4% |
= |
Winter Light |
1972 |
Ingmar Bergman |
5 |
0.4% |
= |
Woman of Paris, A |
1923 |
Charles Chaplin |
5 |
0.4% |
= |
WR: Mysteries of the Organism |
1971 |
Dusan Makavejev |
5 |
0.4% |