| Rank | Title | Year | Director | Total votes | % of ballots |
| 1 | Vertigo | 1958 | Alfred Hitchcock | 180 | 18.9% |
| 2 | Citizen Kane | 1941 | Orson Welles | 170 | 17.8% |
| 3 | Tokyo Story | 1953 | Ozu Yasujirô | 124 | 13.0% |
| 4 | 2001: A Space Odyssey | 1968 | Stanley Kubrick | 118 | 12.4% |
| 5 | Règle du jeu, La | 1939 | Jean Renoir | 101 | 10.6% |
| 6 | Sunrise | 1927 | F. W. Murnau | 90 | 9.4% |
| 7 | 8½ | 1963 | Federico Fellini | 86 | 9.0% |
| 8 | Apocalypse Now | 1979 | Francis Ford Coppola | 76 | 8.0% |
| 9 | Searchers, The | 1956 | John Ford | 74 | 7.8% |
| 10 | Taxi Driver | 1976 | Martin Scorsese | 66 | 6.9% |
| 11 | Breathless | 1960 | Jean-Luc Godard | 65 | 6.8% |
| 12 | Mirror | 1974 | Andrei Tarkovsky | 64 | 6.7% |
| 13 | Persona | 1966 | Ingmar Bergman | 63 | 6.6% |
| 14 | Godfather: Part I, The | 1972 | Francis Ford Coppola | 59 | 6.2% |
| = | Man with a Movie Camera | 1929 | Dziga Vertov | 59 | 6.2% |
| 16 | Passion of Joan of Arc | 1927 | Carl Theodor Dreyer | 58 | 6.1% |
| 17 | Ordet | 1955 | Carl Theodor Dreyer | 57 | 6.0% |
| = | Seven Samurai | 1954 | Akira Kurosawa | 57 | 6.0% |
| 19 | Battleship Potemkin | 1925 | Sergei M Eisenstein | 56 | 5.9% |
| 20 | Atalante, L' | 1934 | Jean Vigo | 55 | 5.8% |
| = | Bicycle Thieves, The | 1948 | Vittorio de Sica | 55 | 5.8% |
| = | Rashomon | 1950 | Akira Kurosawa | 55 | 5.8% |
| 23 | Andrei Rublev | 1966 | Andrei Tarkovsky | 50 | 5.2% |
| = | Au Hasard Balthazar | 1966 | Robert Bresson | 50 | 5.2% |
| = | Raging Bull | 1980 | Martin Scorsese | 50 | 5.2% |
| 26 | Avventura, L' | 1960 | Michelangelo Antonioni | 49 | 5.1% |
| 27 | 400 Blows, The | 1959 | François Truffaut | 45 | 4.7% |
| 28 | Late Spring | 1949 | Ozu Yasujirô | 44 | 4.6% |
| 29 | Psycho | 1960 | Alfred Hitchcock | 42 | 4.4% |
| 30 | mépris, Le | 1963 | Jean-Luc Godard | 41 | 4.3% |
| = | Shoah | 1985 | Claude Lanzmann | 41 | 4.3% |
| 32 | dolce vita, La | 1960 | Federico Fellini | 40 | 4.2% |
| 33 | Stalker | 1979 | Andrei Tarkovsky | 39 | 4.1% |
| 34 | Barry Lyndon | 1975 | Stanley Kubrick | 38 | 4.0% |
| = | City Lights | 1931 | Charles Chaplin | 38 | 4.0% |
| = | Gertrud | 1964 | Carl Theodor Dreyer | 38 | 4.0% |
| 37 | Godfather: Part II, The | 1974 | Francis Ford Coppola | 37 | 3.9% |
| = | Pather Panchali | 1955 | Satyajit Ray | 37 | 3.9% |
| = | Playtime | 1967 | Jacques Tati | 37 | 3.9% |
| = | Singin' in the Rain | 1951 | Stanley Donen, Gene Kelly | 37 | 3.9% |
| = | Touch of Evil | 1958 | Orson Welles | 37 | 3.9% |
| 42 | Mulholland Dr | 2003 | David Lynch | 36 | 3.8% |
| 43 | General, The | 1926 | Buster Keaton | 35 | 3.7% |
| = | Modern Times | 1936 | Charles Chaplin | 35 | 3.7% |
| 45 | Journey to Italy | 1954 | Roberto Rossellini | 34 | 3.6% |
| = | Sátántangó | 1994 | Béla Tarr | 34 | 3.6% |
| 47 | Pierrot le Fou | 1965 | Jean-Luc Godard | 33 | 3.5% |
| = | Some Like It Hot | 1959 | Billy Wilder | 33 | 3.5% |
| 49 | In The Mood For Love | 2000 | Wong Kar Wai | 32 | 3.4% |
| = | Ugetsu Monogatari | 1953 | Mizoguchi Kenji | 32 | 3.4% |
| 51 | Battle of Algiers, The | 1966 | Gillo Pontecorvo | 31 | 3.3% |
| = | Close-Up | 1989 | Abbas Kiarostami | 31 | 3.3% |
| = | Night of the Hunter, The | 1955 | Charles Laughton | 31 | 3.3% |
| 54 | Fanny and Alexander | 1984 | Ingmar Bergman | 30 | 3.1% |
| = | M | 1931 | Fritz Lang | 30 | 3.1% |
| = | Pickpocket | 1959 | Robert Bresson | 30 | 3.1% |
| 57 | Histoire(s) du cinéma | 1988-2004 | Jean-Luc Godard | 29 | 3.0% |
| = | North by Northwest | 1959 | Alfred Hitchcock | 29 | 3.0% |
| 59 | eclisse, L' | 1962 | Michelangelo Antonioni | 28 | 2.9% |
| = | Maman et la putain, La | 1973 | Jean Eustache | 28 | 2.9% |
| = | Man Escaped, A | 1956 | Robert Bresson | 28 | 2.9% |
| = | Once Upon a Time in the West | 1968 | Sergio Leone | 28 | 2.9% |
| = | Rear Window | 1954 | Alfred Hitchcock | 28 | 2.9% |
| 64 | Blue Velvet | 1986 | David Lynch | 27 | 2.8% |
| = | grande illusion, La | 1937 | Jean Renoir | 27 | 2.8% |
| = | Metropolis | 1927 | Fritz Lang | 27 | 2.8% |
| = | Rio Bravo | 1958 | Howard Hawks | 27 | 2.8% |
| = | Sansho Dayu | 1954 | Mizoguchi Kenji | 27 | 2.8% |
| 69 | Jetée, La | 1962 | Chris Marker | 25 | 2.6% |
| = | Sunset Blvd. | 1950 | Billy Wilder | 25 | 2.6% |
| = | Wild Bunch, The | 1969 | Sam Peckinpah | 25 | 2.6% |
| 72 | Aguirre, Wrath of God | 1972 | Werner Herzog | 24 | 2.5% |
| = | Lawrence of Arabia | 1962 | David Lean | 24 | 2.5% |
| = | Magnificent Ambersons, The | 1942 | Orson Welles | 24 | 2.5% |
| = | Viridiana | 1961 | Luis Buñuel | 24 | 2.5% |
| 76 | Blade Runner | 1982 | Ridley Scott | 23 | 2.4% |
| = | Nashville | 1975 | Robert Altman | 23 | 2.4% |
| = | Sherlock Jr | 1924 | Buster Keaton | 23 | 2.4% |
| 79 | Chinatown | 1974 | Roman Polanski | 22 | 2.3% |
| = | Sans Soleil | 1982 | Chris Marker | 22 | 2.3% |
| = | Third Man, The | 1949 | Carol Reed | 22 | 2.3% |
| 82 | Age d'Or, L' | 1930 | Luis Buñuel | 21 | 2.2% |
| = | Brighter Summer Day, A | 1991 | Edward Yang | 21 | 2.2% |
| = | enfants du paradis, Les | 1945 | Marcel Carné | 21 | 2.2% |
| = | Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles | 1975 | Chantal Akerman | 21 | 2.2% |
| = | olvidados, Los | 1950 | Luis Buñuel | 21 | 2.2% |
| 87 | Apartment, The | 1960 | Billy Wilder | 20 | 2.1% |
| = | Casablanca | 1942 | Michael Curtiz | 20 | 2.1% |
| = | Greed | 1925 | Erich von Stroheim | 20 | 2.1% |
| = | Last Year At Marienbad | 1961 | Alain Resnais | 20 | 2.1% |
| = | Leopard, The | 1963 | Luchino Visconti | 20 | 2.1% |
| 92 | Amarcord | 1972 | Federico Fellini | 19 | 2.0% |
| = | Come And See | 1985 | Elem Klimov | 19 | 2.0% |
| = | Conformist, The | 1970 | Bernardo Bertolucci | 19 | 2.0% |
| = | Goodfellas | 1990 | Martin Scorsese | 19 | 2.0% |
| = | Intolerance | 1916 | D.W. Griffith | 19 | 2.0% |
| = | Spirit of the Beehive, The | 1973 | Víctor Erice | 19 | 2.0% |
| = | strada, La | 1954 | Federico Fellini | 19 | 2.0% |
| = | Tree of Life, The | 2010 | Terrence Malick | 19 | 2.0% |
| 100 | argent, L' | 1983 | Robert Bresson | 18 | 1.9% |
| = | Performance | 1970 | Donald Cammell, Nicolas Roeg | 18 | 1.9% |
| = | River, The | 1951 | Jean Renoir | 18 | 1.9% |
| = | Seventh Seal, The | 1957 | Ingmar Bergman | 18 | 1.9% |
| 104 | Annie Hall | 1977 | Woody Allen | 17 | 1.8% |
| = | Blow Up | 1966 | Michelangelo Antonioni | 17 | 1.8% |
| = | chien andalou, Un | 1928 | Luis Buñuel | 17 | 1.8% |
| = | Gospel According to St Matthew, The | 1964 | Pier Paolo Pasolini | 17 | 1.8% |
| = | Life and Death of Colonel Blimp, The | 1943 | Michael Powell, Emeric Pressburger | 17 | 1.8% |
| = | Travelling Players, The | 1975 | Theodoros Angelopoulos | 17 | 1.8% |
| 110 | Beau Travail | 1998 | Claire Denis | 16 | 1.7% |
| = | Colour of Pomegranates, The | 1968 | Sergei Parajanov | 16 | 1.7% |
| = | Fear Eats the Soul | 1974 | Rainer Werner Fassbinder | 16 | 1.7% |
| = | Gold Rush, The | 1925 | Charles Chaplin | 16 | 1.7% |
| = | Ivan the Terrible | 1945 | Sergei M Eisenstein | 16 | 1.7% |
| = | Man Who Shot Liberty Valance, The | 1962 | John Ford | 16 | 1.7% |
| = | Mouchette | 1966 | Robert Bresson | 16 | 1.7% |
| = | Partie de campagne | 1936 | Jean Renoir | 16 | 1.7% |
| = | To Be or Not To Be | 1942 | Ernst Lubitsch | 16 | 1.7% |
| = | Trouble in Paradise | 1932 | Ernst Lubitsch | 16 | 1.7% |
| = | Wild Strawberries | 1957 | Ingmar Bergman | 16 | 1.7% |
| 121 | Badlands | 1973 | Terrence Malick | 15 | 1.6% |
| = | Don't Look Now | 1973 | Nicolas Roeg | 15 | 1.6% |
| = | Dr. Strangelove | 1963 | Stanley Kubrick | 15 | 1.6% |
| = | Ikiru | 1952 | Akira Kurosawa | 15 | 1.6% |
| = | Jules et Jim | 1962 | François Truffaut | 15 | 1.6% |
| = | Last Laugh, The | 1924 | F. W. Murnau | 15 | 1.6% |
| = | Madame de… | 1953 | Max Ophüls | 15 | 1.6% |
| = | Shining, The | 1980 | Stanley Kubrick | 15 | 1.6% |
| = | Two or Three Things I Know About Her… | 1967 | Jean-Luc Godard | 15 | 1.6% |
| 130 | Days of Heaven | 1978 | Terrence Malick | 14 | 1.5% |
| = | Diary of a Country Priest | 1951 | Robert Bresson | 14 | 1.5% |
| = | Do The Right Thing | 1989 | Spike Lee | 14 | 1.5% |
| = | Good, the Bad and the Ugly, The | 1966 | Sergio Leone | 14 | 1.5% |
| = | Hour of the Wolf | 1968 | Ingmar Bergman | 14 | 1.5% |
| = | Letter From an Unknown Woman | 1948 | Max Ophüls | 14 | 1.5% |
| = | Matter of Life and Death, A | 1946 | Michael Powell, Emeric Pressburger | 14 | 1.5% |
| = | Passenger, The | 1974 | Michelangelo Antonioni | 14 | 1.5% |
| = | Rome Open City | 1945 | Roberto Rossellini | 14 | 1.5% |
| = | Vivre Sa Vie | 1962 | Jean-Luc Godard | 14 | 1.5% |
| = | Woman Under the Influence, A | 1974 | John Cassavetes | 14 | 1.5% |
| 141 | Black Narcissus | 1947 | Michael Powell, Emeric Pressburger | 13 | 1.4% |
| = | Canterbury Tale, A | 1944 | Michael Powell, Emeric Pressburger | 13 | 1.4% |
| = | City of Sadness, A | 1989 | Hsiao-hsien Hou | 13 | 1.4% |
| = | Clockwork Orange, A | 1971 | Stanley Kubrick | 13 | 1.4% |
| = | Discreet Charm of the Bourgeoisie, The | 1972 | Luis Buñuel | 13 | 1.4% |
| = | Husbands | 1970 | John Cassavetes | 13 | 1.4% |
| = | Napoleon | 1927 | Abel Gance | 13 | 1.4% |
| = | One and a Two, A | 1999 | Edward Yang | 13 | 1.4% |
| = | One Flew Over the Cuckoo's Nest | 1975 | Milos Forman | 13 | 1.4% |
| = | Out 1 | 1990 | Jacques Rivette | 13 | 1.4% |
| = | Spring in a Small Town | 1948 | Fei Mu | 13 | 1.4% |
| = | Vampyr | 1932 | Carl Theodor Dreyer | 13 | 1.4% |
| = | Wavelength | 1967 | Michael Snow | 13 | 1.4% |
| 154 | Chimes at Midnight | 1966 | Orson Welles | 12 | 1.3% |
| = | Day of Wrath | 1943 | Carl Theodor Dreyer | 12 | 1.3% |
| = | Great Dictator, The | 1940 | Charles Chaplin | 12 | 1.3% |
| = | Lady Eve, The | 1941 | Preston Sturges | 12 | 1.3% |
| = | Manhattan | 1979 | Woody Allen | 12 | 1.3% |
| = | My Darling Clementine | 1946 | John Ford | 12 | 1.3% |
| = | Notorious | 1946 | Alfred Hitchcock | 12 | 1.3% |
| = | Only Angels Have Wings | 1939 | Howard Hawks | 12 | 1.3% |
| = | Pulp Fiction | 1994 | Quentin Tarantino | 12 | 1.3% |
| = | Salo, or The 120 Days of Sodom | 1975 | Pier Paolo Pasolini | 12 | 1.3% |
| = | Samouraï, Le | 1967 | Jean-Pierre Melville | 12 | 1.3% |
| = | There Will Be Blood | 2007 | Paul Thomas Anderson | 12 | 1.3% |
| = | Tropical Malady | 2004 | Apichatpong Weerasethakul | 12 | 1.3% |
| 167 | Bringing Up Baby | 1938 | Howard Hawks | 11 | 1.2% |
| = | Celine and Julie Go Boating | 1974 | Jacques Rivette | 11 | 1.2% |
| = | Chungking Express | 1994 | Wong Kar Wai | 11 | 1.2% |
| = | Eraserhead | 1976 | David Lynch | 11 | 1.2% |
| = | Faces | 1968 | John Cassavetes | 11 | 1.2% |
| = | Germany Year Zero | 1948 | Roberto Rossellini | 11 | 1.2% |
| = | Grapes of Wrath, The | 1940 | John Ford | 11 | 1.2% |
| = | Hidden | 2004 | Michael Haneke | 11 | 1.2% |
| = | Hiroshima Mon Amour | 1959 | Alain Resnais | 11 | 1.2% |
| = | Imitation of Life | 1959 | Douglas Sirk | 11 | 1.2% |
| = | It's a Wonderful Life | 1947 | Frank Capra | 11 | 1.2% |
| = | Jaws | 1975 | Steven Spielberg | 11 | 1.2% |
| = | Kes | 1969 | Ken Loach | 11 | 1.2% |
| = | Killing of a Chinese Bookie, The | 1976 | John Cassavetes | 11 | 1.2% |
| = | Kind Hearts and Coronets | 1949 | Robert Hamer | 11 | 1.2% |
| = | Meet Me In St. Louis | 1944 | Vincente Minnelli | 11 | 1.2% |
| = | My Neighbour Totoro | 1988 | Miyazaki Hayao | 11 | 1.2% |
| = | Once Upon a Time in America | 1983 | Sergio Leone | 11 | 1.2% |
| = | Out of the Past | 1947 | Jacques Tourneur | 11 | 1.2% |
| = | Red Shoes, The | 1948 | Michael Powell, Emeric Pressburger | 11 | 1.2% |
| = | Star Wars | 1977 | George Lucas | 11 | 1.2% |
| = | Story of the Late Chrysanthemums, The | 1939 | Mizoguchi Kenji | 11 | 1.2% |
| = | Tabu | 1931 | F. W. Murnau | 11 | 1.2% |
| = | Thin Red Line, The | 1998 | Terrence Malick | 11 | 1.2% |
| = | Umbrellas of Cherbourg, The | 1964 | Jacques Demy | 11 | 1.2% |
| = | Videodrome | 1983 | David Cronenberg | 11 | 1.2% |
| = | Wizard of Oz, The | 1939 | Victor Fleming | 11 | 1.2% |
| 194 | Ashes and Diamonds | 1958 | Andrzej Wajda | 10 | 1.0% |
| = | Berlin Alexanderplatz | 1980 | Rainer Werner Fassbinder | 10 | 1.0% |
| = | Big Lebowski, The | 1998 | Joel & Ethan Coen | 10 | 1.0% |
| = | Big Sleep, The | 1946 | Howard Hawks | 10 | 1.0% |
| = | Cries and Whispers | 1957 | Ingmar Bergman | 10 | 1.0% |
| = | Distant Voices, Still Lives | 1988 | Terence Davies | 10 | 1.0% |
| = | I am Cuba | 1964 | Mikhail Kalatozov | 10 | 1.0% |
| = | King Kong | 1933 | Merian C. Cooper, Ernest B. Schoedsack | 10 | 1.0% |
| = | Memories of Underdevelopment | 1968 | Tomás Gutiérrez Alea | 10 | 1.0% |
| = | Opening Night | 1977 | John Cassavetes | 10 | 1.0% |
| = | Paisà | 1946 | Roberto Rossellini | 10 | 1.0% |
| = | Paths of Glory | 1957 | Stanley Kubrick | 10 | 1.0% |
| = | Rocco and his Brothers | 1960 | Luchino Visconti | 10 | 1.0% |
| = | Texas Chainsaw Massacre, The | 1974 | Tobe Hooper | 10 | 1.0% |
| = | Three Colours: Red | 1994 | Krzysztof Kieslowski | 10 | 1.0% |
| = | Uncle Boonmee Who Can Recall His Past Lives | 2010 | Apichatpong Weerasethakul | 10 | 1.0% |
| = | Zero de Conduite | 1933 | Jean Vigo | 10 | 1.0% |
| 211 | A nos Amours | 1983 | Maurice Pialat | 9 | 0.9% |
| = | Army of Shadows | 1969 | Jean-Pierre Melville | 9 | 0.9% |
| = | Belle de Jour | 1967 | Luis Buñuel | 9 | 0.9% |
| = | Birds, The | 1963 | Alfred Hitchcock | 9 | 0.9% |
| = | Breaking the Waves | 1996 | Lars von Trier | 9 | 0.9% |
| = | Brief Encounter | 1945 | David Lean | 9 | 0.9% |
| = | Conversation, The | 1974 | Francis Ford Coppola | 9 | 0.9% |
| = | Devil Probably, The | 1977 | Robert Bresson | 9 | 0.9% |
| = | Duck Soup | 1933 | Leo McCarey | 9 | 0.9% |
| = | E.T. | 1982 | Steven Spielberg | 9 | 0.9% |
| = | Earth | 1930 | Aleksandr Dovzhenko | 9 | 0.9% |
| = | Exterminating Angel, The | 1962 | Luis Buñuel | 9 | 0.9% |
| = | His Girl Friday | 1939 | Howard Hawks | 9 | 0.9% |
| = | I Was Born, But… | 1932 | Ozu Yasujirô | 9 | 0.9% |
| = | In a Lonely Place | 1950 | Nicholas Ray | 9 | 0.9% |
| = | Killer of Sheep | 1977 | Charles Burnett | 9 | 0.9% |
| = | Life of Oharu, The | 1952 | Mizoguchi Kenji | 9 | 0.9% |
| = | Love Streams | 1984 | John Cassavetes | 9 | 0.9% |
| = | Marketa Lazarová | 1967 | Frantisek Vlácil | 9 | 0.9% |
| = | Music Room, The | 1958 | Satyajit Ray | 9 | 0.9% |
| = | My Night with Maud | 1969 | Eric Rohmer | 9 | 0.9% |
| = | Nosferatu | 1922 | F. W. Murnau | 9 | 0.9% |
| = | Nostalghia | 1983 | Andrei Tarkovsky | 9 | 0.9% |
| = | Puppetmaster, The | 1993 | Hsiao-hsien Hou | 9 | 0.9% |
| = | Russian Ark | 2002 | Aleksandr Sokurov | 9 | 0.9% |
| = | Shop Around the Corner, The | 1940 | Ernst Lubitsch | 9 | 0.9% |
| = | Three Colours: Blue | 1993 | Krzysztof Kieslowski | 9 | 0.9% |
| = | Werckmeister Harmonies, The | 2000 | Béla Tarr | 9 | 0.9% |
| 239 | Autumn Afternoon, An | 1962 | Ozu Yasujirô | 8 | 0.8% |
| = | Chelsea Girls | 1966 | Andy Warhol, Paul Morrissey | 8 | 0.8% |
| = | Crowd, The | 1928 | King Vidor | 8 | 0.8% |
| = | Death in Venice | 1971 | Luchino Visconti | 8 | 0.8% |
| = | Death of Mr Lazarescu, The | 2005 | Cristi Puiu | 8 | 0.8% |
| = | Deer Hunter, The | 1977 | Michael Cimino | 8 | 0.8% |
| = | Double Life of Veronique, The | 1991 | Krzysztof Kieslowski | 8 | 0.8% |
| = | F for Fake | 1975 | Orson Welles | 8 | 0.8% |
| = | Listen to Britain | 1942 | Humphrey Jennings, Stewart McAllister | 8 | 0.8% |
| = | Marnie | 1964 | Alfred Hitchcock | 8 | 0.8% |
| = | Nanook of the North | 1922 | Robert J. Flaherty | 8 | 0.8% |
| = | Ran | 1985 | Akira Kurosawa | 8 | 0.8% |
| = | Red River | 1947 | Howard Hawks, Arthur Rosson | 8 | 0.8% |
| = | Testament of Dr Mabuse, The | 1933 | Fritz Lang | 8 | 0.8% |
| = | Thin Blue Line, The | 1989 | Errol Morris | 8 | 0.8% |
| = | Touch of Zen, A | 1969 | King Hu | 8 | 0.8% |
| = | Touki Bouki | 1973 | Djibril Diop Mambéty | 8 | 0.8% |
| = | Turin Horse, The | 2011 | Béla Tarr | 8 | 0.8% |
| = | Umberto D | 1952 | Vittorio de Sica | 8 | 0.8% |
| = | Where is My Friend's House? | 1989 | Abbas Kiarostami | 8 | 0.8% |
| 259 | All That Heaven Allows | 1955 | Douglas Sirk | 7 | 0.7% |
| = | Black God, White Devil | 1964 | Glauber Rocha | 7 | 0.7% |
| = | Blissfully Yours | 2002 | Apichatpong Weerasethakul | 7 | 0.7% |
| = | Cloud-Capped Star, The | 1960 | Ritwik Ghatak | 7 | 0.7% |
| = | Colossal Youth | 2006 | Pedro Costa | 7 | 0.7% |
| = | Crimes and Misdemeanors | 1989 | Woody Allen | 7 | 0.7% |
| = | Double Indemnity | 1944 | Billy Wilder | 7 | 0.7% |
| = | Early Summer | 1951 | Ozu Yasujirô | 7 | 0.7% |
| = | Fargo | 1995 | Joel & Ethan Coen | 7 | 0.7% |
| = | Floating Clouds | 1955 | Naruse Mikio | 7 | 0.7% |
| = | Gone with the Wind | 1939 | Victor Fleming | 7 | 0.7% |
| = | How Green Was My Valley | 1941 | John Ford | 7 | 0.7% |
| = | In a Year of 13 Moons | 1978 | Rainer Werner Fassbinder | 7 | 0.7% |
| = | Kings of the Road | 1976 | Wim Wenders | 7 | 0.7% |
| = | Magnolia | 1999 | Paul Thomas Anderson | 7 | 0.7% |
| = | Make Way for Tomorrow | 1937 | Leo McCarey | 7 | 0.7% |
| = | Melancholia | 2011 | Lars von Trier | 7 | 0.7% |
| = | Meshes of the Afternoon | 1943 | Maya Deren, Alexander Hammid | 7 | 0.7% |
| = | Nights of Cabiria | 1957 | Federico Fellini | 7 | 0.7% |
| = | Nouvelle Vague | 1990 | Jean-Luc Godard | 7 | 0.7% |
| = | October | 1928 | Sergei M Eisenstein | 7 | 0.7% |
| = | Paris, Texas | 1984 | Wim Wenders | 7 | 0.7% |
| = | Quiet Man, The | 1952 | John Ford | 7 | 0.7% |
| = | Rise to Power of Louis XIV, The | 1966 | Roberto Rossellini | 7 | 0.7% |
| = | Rosemary's Baby | 1968 | Roman Polanski | 7 | 0.7% |
| = | Shadows | 1959 | John Cassavetes | 7 | 0.7% |
| = | Shadows of Our Forgotten Ancestors | 1964 | Sergei Parajanov | 7 | 0.7% |
| = | Spirited Away | 2001 | Miyazaki Hayao | 7 | 0.7% |
| = | Stagecoach | 1939 | John Ford | 7 | 0.7% |
| = | Sweet Smell of Success | 1957 | Alexander Mackendrick | 7 | 0.7% |
| = | Tale of Tales, A | 1979 | Yuri Norstein | 7 | 0.7% |
| = | Through the Olive Trees | 1994 | Abbas Kiarostami | 7 | 0.7% |
| = | Trip to the Moon, A | 1902 | Georges Méliès | 7 | 0.7% |
| = | Wagon Master | 1950 | John Ford | 7 | 0.7% |
| = | West of the Tracks | 2002 | Wang Bing | 7 | 0.7% |
| = | White Ribbon, The | 2009 | Michael Haneke | 7 | 0.7% |
| = | Wings of Desire | 1987 | Wim Wenders | 7 | 0.7% |
| 296 | Alien | 1979 | Ridley Scott | 6 | 0.6% |
| = | Alphaville | 1965 | Jean-Luc Godard | 6 | 0.6% |
| = | Band Wagon, The | 1953 | Vincente Minnelli | 6 | 0.6% |
| = | Best Years of Our Lives, The | 1946 | William Wyler | 6 | 0.6% |
| = | Boudu Saved from Drowning | 1932 | Jean Renoir | 6 | 0.6% |
| = | Cranes are Flying, The | 1957 | Mikhail Kalatozov | 6 | 0.6% |
| = | Crime of Monsieur Lange, The | 1935 | Jean Renoir | 6 | 0.6% |
| = | Dekalog | 1988 | Krzysztof Kieslowski | 6 | 0.6% |
| = | demoiselles de Rochefort, Les | 1967 | Jacques Demy | 6 | 0.6% |
| = | Devils, The | 1971 | Ken Russell | 6 | 0.6% |
| = | Dogville | 2003 | Lars von Trier | 6 | 0.6% |
| = | Enigma of Kaspar Hauser, The | 1974 | Werner Herzog | 6 | 0.6% |
| = | French Cancan | 1955 | Jean Renoir | 6 | 0.6% |
| = | Grido, Il | 1957 | Michelangelo Antonioni | 6 | 0.6% |
| = | Groundhog Day | 1993 | Harold Ramis | 6 | 0.6% |
| = | House is Black, The | 1962 | Forough Farrokhzad | 6 | 0.6% |
| = | Idiots, The | 1998 | Lars von Trier | 6 | 0.6% |
| = | If…. | 1968 | Lindsay Anderson | 6 | 0.6% |
| = | Ivan's Childhood | 1962 | Andrei Tarkovsky | 6 | 0.6% |
| = | Johnny Guitar | 1954 | Nicholas Ray | 6 | 0.6% |
| = | King of Comedy, The | 1983 | Martin Scorsese | 6 | 0.6% |
| = | Koyaanisqatsi | 1983 | Godfrey Reggio | 6 | 0.6% |
| = | Lady from Shanghai, The | 1947 | Orson Welles | 6 | 0.6% |
| = | Landscape in the Mist | 1988 | Theodoros Angelopoulos | 6 | 0.6% |
| = | Last Picture Show, The | 1971 | Peter Bogdanovich | 6 | 0.6% |
| = | Monsieur Verdoux | 1947 | Charles Chaplin | 6 | 0.6% |
| = | notte, La | 1961 | Michelangelo Antonioni | 6 | 0.6% |
| = | Numéro deux | 1975 | Jean-Luc Godard, Anne-Marie Miéville | 6 | 0.6% |
| = | Pandora's Box | 1928 | G W Pabst | 6 | 0.6% |
| = | Plaisir, Le | 1951 | Max Ophüls | 6 | 0.6% |
| = | Quince Tree Sun, The | 1992 | Víctor Erice | 6 | 0.6% |
| = | Région Centrale, La | 1971 | Michael Snow | 6 | 0.6% |
| = | Reservoir Dogs | 1991 | Quentin Tarantino | 6 | 0.6% |
| = | Rosetta | 1999 | Jean-Pierre Dardenne, Luc Dardenne | 6 | 0.6% |
| = | Safe | 1994 | Todd Haynes | 6 | 0.6% |
| = | Sicilia! | 1998 | Jean-Marie Straub, Danièle Huillet | 6 | 0.6% |
| = | Silence, The | 1963 | Ingmar Bergman | 6 | 0.6% |
| = | Solaris | 1972 | Andrei Tarkovsky | 6 | 0.6% |
| = | Stranger than Paradise | 1982 | Jim Jarmusch | 6 | 0.6% |
| = | Stromboli | 1950 | Roberto Rossellini | 6 | 0.6% |
| = | Tenant, The | 1976 | Roman Polanski | 6 | 0.6% |
| = | Underground | 1995 | Emir Kusturica | 6 | 0.6% |
| = | Wages of Fear, The | 1953 | Henri-Georges Clouzot | 6 | 0.6% |
| = | WALL-E | 2008 | Andrew Stanton | 6 | 0.6% |
| = | Wanda | 1970 | Barbara Loden | 6 | 0.6% |
| = | World of Apu, The | 1958 | Satyajit Ray | 6 | 0.6% |
| = | Yeelen | 1987 | Souleymane Cisse | 6 | 0.6% |
| 343 | Affair to Remember, An | 1957 | Leo McCarey | 5 | 0.5% |
| = | All About Eve | 1950 | Joseph L. Mankiewicz | 5 | 0.5% |
| = | Au Revoir les enfants | 1987 | Louis Malle | 5 | 0.5% |
| = | Birth of a Nation, The | 1915 | D.W. Griffith | 5 | 0.5% |
| = | Broken Blossoms | 1919 | D.W. Griffith | 5 | 0.5% |
| = | Cabinet of Dr Caligari, The | 1919 | Robert Wiene | 5 | 0.5% |
| = | Casino | 1995 | Martin Scorsese | 5 | 0.5% |
| = | Charulata | 1964 | Satyajit Ray | 5 | 0.5% |
| = | Cleo from 5 to 7 | 1962 | Agnès Varda | 5 | 0.5% |
| = | Closely Observed Trains | 1966 | Jirí Menzel | 5 | 0.5% |
| = | Dawn of the Dead | 1978 | George A Romero | 5 | 0.5% |
| = | Days of Being Wild | 1990 | Wong Kar Wai | 5 | 0.5% |
| = | Dersu Uzala | 1975 | Akira Kurosawa | 5 | 0.5% |
| = | Dr Mabuse, The Gambler | 1922 | Fritz Lang | 5 | 0.5% |
| = | Edvard Munch | 1976 | Peter Watkins | 5 | 0.5% |
| = | El | 1953 | Luis Buñuel | 5 | 0.5% |
| = | Europa 51 | 1952 | Roberto Rossellini | 5 | 0.5% |
| = | Executioner, The | 1963 | Luis García Berlanga | 5 | 0.5% |
| = | Faust | 1926 | F. W. Murnau | 5 | 0.5% |
| = | Five Easy Pieces | 1970 | Bob Rafelson | 5 | 0.5% |
| = | Flowers of Shanghai | 1998 | Hsiao-hsien Hou | 5 | 0.5% |
| = | Flowers of St Francis, The | 1950 | Roberto Rossellini | 5 | 0.5% |
| = | Freaks | 1932 | Tod Browning | 5 | 0.5% |
| = | From the Clouds to the Resistance | 1979 | Jean-Marie Straub, Danièle Huillet | 5 | 0.5% |
| = | Green Ray, The | 1986 | Eric Rohmer | 5 | 0.5% |
| = | Gummo | 1997 | Harmony Korine | 5 | 0.5% |
| = | Heaven's Gate | 1980 | Michael Cimino | 5 | 0.5% |
| = | High and Low | 1963 | Akira Kurosawa | 5 | 0.5% |
| = | Holy Mountain, The | 1973 | Alejandro Jodorowsky | 5 | 0.5% |
| = | Innocents, The | 1961 | Jack Clayton | 5 | 0.5% |
| = | Kid, The | 1921 | Charles Chaplin | 5 | 0.5% |
| = | Land Without Bread | 1933 | Luis Buñuel | 5 | 0.5% |
| = | Last Bolshevik, The | 1993 | Chris Marker | 5 | 0.5% |
| = | Lola | 1961 | Jacques Demy | 5 | 0.5% |
| = | Long Goodbye, The | 1973 | Robert Altman | 5 | 0.5% |
| = | Lost Highway | 1996 | David Lynch | 5 | 0.5% |
| = | Lusty Men, The | 1952 | Nicholas Ray | 5 | 0.5% |
| = | McCabe and Mrs Miller | 1971 | Robert Altman | 5 | 0.5% |
| = | Moment of Innocence, A | 1995 | Mohsen Makhmalbaf | 5 | 0.5% |
| = | Mother and Son | 1997 | Aleksandr Sokurov | 5 | 0.5% |
| = | Mothlight | 1963 | Stan Brakhage | 5 | 0.5% |
| = | Muriel | 1963 | Alain Resnais | 5 | 0.5% |
| = | My Friend Ivan Lapshin | 1986 | Aleksey German | 5 | 0.5% |
| = | Naked | 1993 | Mike Leigh | 5 | 0.5% |
| = | Night and Fog | 1955 | Alain Resnais | 5 | 0.5% |
| = | Obscure Object of Desire, That | 1977 | Luis Buñuel | 5 | 0.5% |
| = | Outer Space | 2002 | Peter Tscherkassky | 5 | 0.5% |
| = | Passion | 1982 | Jean-Luc Godard | 5 | 0.5% |
| = | Pat Garrett & Billy the Kid | 1973 | Sam Peckinpah | 5 | 0.5% |
| = | Port of Shadows | 1938 | Marcel Carné | 5 | 0.5% |
| = | Possession | 1981 | Andrzej Zulawski | 5 | 0.5% |
| = | Purple Rose of Cairo, The | 1985 | Woody Allen | 5 | 0.5% |
| = | Pyaasa | 1957 | Guru Dutt | 5 | 0.5% |
| = | Round-Up, The | 1966 | Miklos Jancso | 5 | 0.5% |
| = | Salvatore Giuliano | 1962 | Francesco Rosi | 5 | 0.5% |
| = | Scorpio Rising | 1964 | Kenneth Anger | 5 | 0.5% |
| = | Separation, A | 2011 | Asghar Farhadi | 5 | 0.5% |
| = | Short Cuts | 1993 | Robert Altman | 5 | 0.5% |
| = | Silent Light | 2007 | Carlos Reygadas | 5 | 0.5% |
| = | Sullivan's Travels | 1941 | Preston Sturges | 5 | 0.5% |
| = | The Tiger of Eschnapur/The Indian Tomb | 1958 | Fritz Lang | 5 | 0.5% |
| = | They Live By Night | 1948 | Nicholas Ray | 5 | 0.5% |
| = | Thing, The | 1982 | John Carpenter | 5 | 0.5% |
| = | Throne of Blood | 1957 | Akira Kurosawa | 5 | 0.5% |
| = | Two-Lane Blacktop | 1971 | Monte Hellman | 5 | 0.5% |
| = | Walkabout | 1970 | Nicolas Roeg | 5 | 0.5% |
| = | Week End | 1967 | Jean-Luc Godard | 5 | 0.5% |
| = | Wind Will Carry Us, The | 1999 | Abbas Kiarostami | 5 | 0.5% |
| = | Woman of Paris, A | 1923 | Charles Chaplin | 5 | 0.5% |
| = | Woman of the Dunes | 1964 | Teshigahara Hiroshi | 5 | 0.5% |
| = | Xala | 1974 | Ousmane Sembene | 5 | 0.5% |
| = | Young Mr Lincoln | 1939 | John Ford | 5 | 0.5% |